Academic Proofreading -
Natalie Dessay // Mozart: Concert Arias - Warner Classics
berkeley resume com Adjunct Professor Emeritus of Economics and Public Policy National Economic Research Associates (1998-present). Current position: Vice President. Dessay Concert Arias? Xenergy, Inc. (1994-1998). Last position: Senior Principal. Cambridge Systematics, Inc. (1977-1994). Last positions: Principal and Vice-President. Editor's Choice Award, for best article in Water Resources Research, 2012. Richard Stone Prize in Applied Econometrics, for best article in 2000 and 2001 issues of Journal of Applied Econometrics. Award for Best Energy Journal Paper, International Association of Energy Economists, 2002. Distinguished Teaching Award, Graduate Economics Association, 2001. Award for Best Paper, Advanced Research Techniques Forum, American Marketing Association, 2000.
Outstanding Achievement Award, Energy Program Evaluation Conference, 1995. Outstanding Teaching Award, Graduate School of Public Policy, 1991. Why I To Be Essay? Outstanding Teaching Award, Undergraduate Economics Association, 1987. Robert R. Holdren Memorial Lecture, Iowa State University, 2007 Keynote address, Mexican Statistical Association annual meeting, 2004 Chair, Center for Regulatory Policy, University of California, Berkeley, 1993-2000. Board of Advice, Institute of Transport and Logistics Studies, University of Sydney, 2005-present. Associate Editor, Journal of Choice Modeling, 2007-present. Editorial Board, Foundations and Trends in concert, Econometrics, 2004-present. Editorial Board, Quantitative Marketing and Economics, 2003-present. Editorial Board, Journal of Regulatory Economics, 1988-2001. Associate Editor, Energy: The International Journal, 1988-2000.
Editorial Board, Information Economics and Policy, 1990-1996. Editorial Board, Transportation Research, 1983-1997. Research Advisory Committee, National Regulatory Research Institute, 1997-1999. Death Salesman Motif Essay? Board of Directors, International Telecommunications Society, 1988-1993. Journal Committee, International Telecommunications Society, 1988-1996. Concert? Affiliated Faculty, Energy and want to be essay, Resources Group, University of concert California, Berkeley, 1984-present. Planning Committee, Bi-Annual National Conference on Energy Conservation Program Evaluation, 1985-1988. Guest Editor, special issue on automobile demand and energy use, Transportation Research, 1985. Death Salesman? Testimony in Federal Trade Commission vs. Swedish Match North America et al. on product market definition, 2000.
Testimony in Isuzu vs. Consumers Union on concert arias, extent of lost sales by Isuzu due to CU's statements about the essay underline Trooper, 1999. Testimony in Suzuki vs. Consumers Union on concert, extent of lost sales by Suzuki due to CU's recent statements about the Samurai, 1999. Testimony in Montana vs. ARCO, on damages to anglers from reduced fish stocks, 1997. Testimony before California Public Utilities Commission, on the efficiency of creative writing kindergarten Pacific Gas and dessay concert, Electric Company's transmission and distribution operations, 1998. Testimony before California Public Utilities Commission, Hearings on Universal Service Funding, 1997. Testimony before California Public Utilities Commission, Hearings on salesman motif, IntraLATA Toll Competition, 1992.
Testimony before U.S. Senate, Subcommittee on Energy Regulation and Conservation, Committee on Energy and National Resources, 1985. Testimony before California Energy Commission, Hearings on Transportation Demand and Fuel Consumption, 1980. Dessay Concert? Testimony before State Legislature of Hawaii, Hearings on writing kindergarten, Urban Mass Transit, 1978. Chair,Session of dessay Endogeneity in Choice Models, Invitational Choice Symposium, Estes Park, CO, 2004. Chair, Session on Empirical Methods in Industrial Organization, International Industrial Organization Conference, Boston, April 2003. Co-chair, Methodology Group, Invitational Choice Symposium, Asilomar, June 2001.
Chair, Session on death salesman essay, Transforming from a Regulated to a Competitive Market, 12th Forecasting Symposium of the Electric Power Research Institute, Denver, 1999. Chair, Session on Numerical Estimation Methods for Dynamic Choice Processes, NSF Symposium on Simulation and Estimation, Berkeley, 1994. Chair, Session on Commercial Buildings: Segments and Trends, Conference on Energy Conservation Program Evaluation, Chicago, 1989. Chair, Session on Demand Analysis: Innovative Methods and Applications for Telecommunications, Seventh International Conference of the International Telecommunication Society, MIT, 1988. Chair, Session on Class-of-Service Models, Telecommunications Demand Analysis Forum, Key Biscayne, 1988. Chair, expert panel to evaluate U.S. Department of dessay Energy work on transportation source emissions related to acid precipitation, Washington, D.C., 1988. Chair, Session on Commercial Sector Methodology, Conference on Energy Conservation Program Evaluation, Chicago, 1987. Chair, Session on Transportation Demand Forecasting, Transportation Research Forum, Atlanta, 1982. Working Group, Markets for Energy Efficiency, Energy Modeling Forum, Stanford University, 1994-96.
Committee to Review Federal Estimates of the Relationship of Vehicle Weight to Fatality and essay, Injury Risk, National Research Council, 1996. Committee on Energy Conservation and Transportation Demand, Transportation Research Board, National Academy of Science, 1984-1993. Committee on dessay concert arias, Passenger Travel Demand Forecasting, Transportation Research Board, National Academy of Science, 1985-1992. To Be A Nurse Essay? McFadden, D. and K. Train, eds., Contingent Valuation of concert Environmental Goods: A Comprehensive Critique, Edward Elgar Publishing, 2017. Train, K., Discrete Choice Methods with Simulation, Cambridge University Press, 2003. Second edition, 2009. Spanish language version, translated by Carlos Ochoa, NetQuest, 2014. Train, K., Optimal Regulation: The Economic Theory of Natural Monopoly, MIT Press, 1991. Japanese language version, translated by want to be a nurse, Prof. Tetsuzo Yamamoto, Waseda University, and Prof.
Tetsuo Kanesawa, Risho University, published by dessay arias, Bunshido of Tokyo, 1998 Train, K., Qualitative Choice Analysis, MIT Press, 1986. McFadden, D. and K. Inequality At Workplace Essay? Train, INTRODUCTION, Contingent Valuation of Environmental Goods: A Comprehensive Critique, Edward Elgar Publishing, 2017. Glasgow, G., and K. Train, Lost Use-Value from Environmental Injury when Visitation Drops at Undamaged Sites, Land Economics, forthcoming, February 2018. Hess, S. and concert, K. Train, Correlation and Scale in Mixed Logit Models, Journal of Choice Modelling, Vol. Camps Paper? 23, pp. 1-8, 2017. Dessay Arias? Train, K., Mixed Logit with a Flexible Mixing Distribution, Journal of Choice Modelling, Vol.
19, pp. 40-53, 2016. Falk, N., and K. Train, Patent Valuation with Forecasts of Forward Citations, Journal of Business Valuation and Economic Cost Analysis, forthcoming. Hang, D., D. McFadden, K. Train, and K. Wise, Is Depreciation a Component of research Marginal Travel Cost? A Literature Review and concert arias, Empirical Analysis, Journal of Transport Economics and Policy, Vol. 50, Part 2, April 2016. Death Salesman Essay? Train, K., Welfare Calculations in Discrete Choice Models when Anticipated and Experienced Attributes Differ: A Guide with Examples, Journal of dessay concert arias Choice Modelling, Vol. 16, pp. 15-22, 2015. Desvousges, W., K. Inequality Essay? Mathews and K. Train, An Adding-Up Test for Contingent Valuations of dessay arias Lake and River Quality, Land Economics, Vol. 91, pp.
556-571, 2015 Hensher, D.A., N. Shore, and K. At Workplace Essay? Train, Willingness-to-Pay for Residential Electricity Supply Quality and Reliability, Applied Energy, Vol. 115, pp. 280-292, 2014. Desvousges, W., K. Mathews and K. Train, Adequate Responsiveness to Scope in Contingent Valuation, Ecological Economics, Vol. 84, pp. 121-128, 2012. Metcalfe, P., W. Baker, K. Andrews, G. Atkinson, I. J. Bateman, S. Butler, R. T. Carson, J. East, Y. Guron, R. Dessay? Sheldon and K. Train, An Assessment of the essay Non-Market Benefits of the Water Framework Directive for concert arias, Households in death salesman motif essay, England and Wales, Water Resources Research, Volume 48, Issue 3, March 2012.
Recipient of Editor’s Choice Award for 2012. Daly, A., S. Hess, and dessay, K. Train, Assuring Finite Moments for Willingness to Pay in Random Coefficient Models, Transportation, Vol. Gender At Workplace? 39, No. 1, pp. 19-31, 2011. Train, K. and W. Wilson, Monte Carlo Analysis of SP-off-RP Data, Journal of Choice Modeling, Vol. Concert Arias? 2, No. 1, pp.
101-117, 2009. http://www.jocm.org.uk. Petrin, A. and K. Train, A Control Function Approach to Endogeneity in Consumer Choice Models, Journal of Marketing Research, Vol. 47, No. 1, pp. 3-13, 2010. Train, K., EM Algorithms for Nonparametric Estimation of Mixing Distributions, Journal of Choice Modeling, Vol. 1, No. 1, pp.
40-69, 2008, http://www.jocm.org.uk. Essay Italics Underline? Scarpa, R., M. Thiene, and K. Train, Utility in Willingness to Pay Space: A Tool to Address the Counfounding Random Scale Effects in Destination Choice to arias, the Alps, American Journal of Agricultural Economics, Vol. 90, No. Death Salesman Motif? 4, pp. 994-1010, 2008. Train, K., and concert, C. Winston, Vehicle Choice Behavior and the Declining Market Share of U.S. Automakers, International Economic Review, Vol.
48, No. Writing Kindergarten? 4, pp. 1469-1496, 2007. Train, K., and W. Wilson, Estimation on Stated-Preference Experiments Constructed from Revealed-Preference Choices, Transportation Research, Part B: Methodology, Vol. Concert? 42, pp. 191-203, 2008. Train, K., and W. Wilson, Transportation Demand and Volume Sensitivity: A Study of Grain Shippers in research paper, the Upper Mississippi River Valley, Transportation Research Record: Journal of the Transportation Research Board, Vol. 2062, pp. 66-73, 2008. Train, K., and W. Wilson, Spatially Generated Transportation Demands, in Research in Transportation Economics: Railroad Economics, S. Dennis and W. Talley, eds., Vol.
20, pp. 97-118, 2007, Elsevier. Hensher, D., N. Shore, and K. Train, Water Supply Security and Willingness to Pay to Avoid Drought Restrictions, Economic Record, Vol. Dessay Concert? 82, pp. 56-66, 2006. Train, K., and W. Wilson, Spatial Demand Decisions in the Pacific Northwest: Mode Choices and Market Areas, Transportation Research Record: Journal of the Transportation Research Board, Vol. 1963, pp. 9-14, 2006. Hensher, D., N. Shore, and K. Paper? Train, Households' Willingness to concert arias, Pay for Water Service Attributes, Environmental and Resource Economics, Vol.
32, pp. 509-531, 2005. Hess, S., K. Train, and J. Polak, Use of a Modified Latin Hypercube Sampling (MLHS) Method in the Estimation of a Mixed Logit Model of Vehicle Choice, Transportation Research Part B: Methodology, Vol. 40, No. 2, pp.
147-167, 2006. Train, K., and M. Weeks,Discrete Choice Models in Preference Space and Willingness-to-Pay Space, Ch. Creative Writing? 1, pp. 1-16, in Applications of Simulation Methods in Environmental and Resource Economics, A. Alberini and R. Scarpa, eds., Springer Publisher: Dordrecht, The Netherlands, 2005. Arias? Train, K., and G. Sonnier,Mixed Logit with Bounded Distributions of Correlated Partworths, Ch.
7, pp. 117-134, in concentration camps research, Applications of Simulation Methods in Environmental and Resource Economics, A. Alberini and arias, R. Death Salesman? Scarpa, eds., Springer Publisher: Dordrecht, The Netherlands, 2005. Louviere, J., K. Dessay Concert? Train, et al., Recent Progess on Endogeneity in Choice Modeling, Marketing Letters, Vol. 16, No. 3-4, pp. 255-265, 2005. Sandor, Z., and K. Train, Quasi-Random Simulation of Discrete Choice Models, Transportation Research, Part B, Vol. 38, pp. 313-327, 2004.
Karaca-Mandic, P., and K. Train, Standard Error Correction in Two-Stage Estimation with Nested Samples, Econometrics Journal, Vol. 6, No. 2, pp. Kindergarten? 401-407, 2003. Huber, J., and arias, K. Train, On the Similarity of Classical and Bayesian Estimates of Individual Mean Partworths, Marketing Letters, Vol. 12, No. 3, pp. 257-267, 2001.
Goett, D., K. Kindergarten? Hudson, and concert arias, K. Train, Customer Choice Among Retail Energy Suppliers: The Willingness-to-Pay for Service Attributes, The Energy Journal, Vol. 21, No. 4, pp. 1-28, 2000. Brownstone, D., D. Bunch, and K. Train, Joint Mixed Logit Models of Stated and Revealed Preferences for Alternative-Fuel Vehicles, Transportation Research, Vol.
34, Part B, pp. 315-338, 2000. McFadden, D., and K. Train, Mixed MNL Models for Discrete Response, Journal of Applied Econometrics, Vol. 15, No. 5, pp. 447-470, 2000.
Dippon, C., and K. Gender At Workplace? Train, The Cost of the dessay concert Local Telecommunication Network: A Comparison of Minimum Spanning Trees and the HAI Model, Telecommunications Policy, Vol. Why I Want A Nurse Practitioner Essay? 24, No. 3, 2000. Brownstone, D., and K. Train, Forecasting New Product Penetration with Flexible Substitution Patterns, Journal of Econometrics, Vol. 89, No. 1, pp. 109-129, 1999. Cai, Y., I. Deilami, and dessay arias, K. Train, Customer Retention in a Competitive Power Market: Analysis of a 'Double-Bounded Plus Follow-ups' Questionnaire, The Energy Journal, Vol.
19, No. 2, pp. 191-215, 1998. Revelt, D., and K. Research Paper? Train, Mixed Logit with Repeated Choices: Households' Choices of Appliance Efficiency Level, The Review of Economics and arias, Statistics, Vol. LXXX, No. 4, pp. 647-657, Nov. 1998.
Rufo, M., and K. Train, Using Choice Modeling to Understand Customer Preferences: A Tale of Four Studies, in A. Death Motif Essay? Faruqui and J.R. Malko, eds., Profiting from the Challenge of Customer Choice, Public Utility Reports, Inc., 1999. Train, K., Mixed Logit Models of Recreation Demand, in C. Kling and J. Herriges, eds., Valuing the Environment Using Recreation Demand Models, Elgar Press, 1999. Train, K., Recreation Demand Models with Taste Differences over dessay arias People, Land Economics, Vol. 74, No. 2, pp. 230-239, May 1998. Reprinted in Revealed Preference Approaches to Environmental Valuation: Volume I, J. Practitioner? Herriges and C. Kling, Eds., Ashgate Publishing Limited, 2008.
Train, K., W. Davis, and dessay arias, M. Underline? Levine, Fees and dessay, Rebates on New Vehicles: Impacts on Fuel Efficiency, Carbon Dioxide Emissions, and Consumer Surplus, Transportation Research, Vol. 33E, No. Underline? 1, pp. 1-13, 1997. Reprinted in Environmental Instruments and concert arias, Institutions, T. Tientenberg, K. Button, and P. Nijkamp, Eds., Edward Elgar Publishing Limited, 2000. McFadden, D., and K. Train, Consumers' Evaluation of New Products: Learning from Self and Others, Journal of creative writing kindergarten Political Economy, 1996, Vol.
104, No. 4, pp. 683-703. Train, K. and E. Paquette, A Discrete Choice Method to Estimate Free-Ridership, Net-to-Gross Ratios, and the Effect of Program Advertising, Energy Services Journal, Vol. 1, No. 1, 1995. Train, K. and T. Dessay Concert Arias? Atherton, Rebates, Loans, and Customers' Choice of want essay Appliance Efficiency Level: Combining Stated- and Revealed-Preference Data, Energy Journal, Vol. 16, No. 1, 1995, pp. 55-69. Train, K. and G. Mehrez, Optional Time-of-Use Prices for Electricity: Econometric Analysis of Surplus and arias, Pareto Impacts, RAND Journal of Economics, Vol.
25, No. 2, 1994, pp. 263-283. Train, K., Self-Selecting Tariffs under Pure Preferences Among Tariffs, Journal of Regulatory Economics, Vol. 6, No. 3, 1994, pp. 247-262. Train, K. and G. Mehrez, The Impacts of Optional Time-of-Use Prices: A Case Study, Energy and Buildings, Vol.
22, No. 2, 1995, pp. 267-278. Train, K., Estimation of Net Savings from Energy Conservation Programs, Energy: The International Journal, Vol. 19, No. 4, 1994, pp. 423-441. Gender Inequality At Workplace? Train, K., Intra-LATA Toll Elasticities, Telecommunications Policy, Vol.
17, No. 9, 1993, pp. 707-714. Train, K., An Assessment of the concert Accuracy of Statistically Adjusted Engineering (SAE) Models of essay End-Use Load Curves, Energy: The International Journal, Vol. 17, No. 7, 1992, pp. 713-725.
Miles-McLean, R., M Shelby, C. Lula, M Sagan, and K. Train, Comparison of Forecasts from Aggregate and concert, Disaggregate Models for Personal Vehicle Energy Consumption and CO2 Emissions, Energy: The International Journal, Vol. 17, No. 4, 1992, pp. 321-330.. Essay? Train, K., M. Ben-Akiva, and T. Atherton, Consumption Patterns and Self-Selecting Tariffs, Review of Economics and dessay arias, Statistics, Vol.
71, No. 1, 1989, pp. 62-73. Train, K. and N. Italics? Toyama, Pareto Dominance Through Self-Selecting Tariffs: The Case of TOU Prices for Agriculture, Energy Journal, Vol. 10, No. 1, 1989, pp. 103-116. Train, K., D. McFadden, and A. Dessay? Goett, Consumer Attitudes and Voluntary Rate Schedules for Public Utilities, Review of Economics and Statistics, Vol.
LXIX, No. 3, 1987, pp. 383-391. Train, K., Incentives for Energy Conservation in the Commercial and Industrial Sectors, Energy Journal, Vol. 9, No.3, 1988, pp. 113-132.
Woo, C.-K. and K. Train, The Cost of Electric Power Interruptions to underline, Commercial Firms, Energy Journal, Vol. 9, special issue on electricity reliability, 1988, pp. 161-172. Train, K., D. McFadden, and M. Ben-Akiva, The Demand for Local Telephone Service: A Fully Discrete Model of Residential Calling Patterns and Service Choices, Rand Journal of Economics, Vol. 18, No. 1, 1987, pp. 109-123. Train, K. and P. Ignelzi, The Economic Value of concert arias Energy-Saving Investments by Commercial and Industrial Firms, Energy: The International Journal, Vol.
12, No. 7, 1987, pp. 543-553. Concentration Paper? Train, K. and J. Strebel, Energy Conservation and Rebates in Commercial Food Enterprises, American Journal of Agricultural Economics, Vol. 69, No. 1, 1987, pp. 106-114.
Caves, D., J. Herriges, K. Train, and R. Windle, A Bayesian Approach to Combining Conditional Demand and arias, Engineering Models of Electricity Usage, Review of Economics and Statistics, Vol. Creative Writing Kindergarten? LXIX, No. 3, 1987, pp. 438-448. Atherton, T., M. Ben-Akiva, D. Arias? McFadden, and K. Train, Micro-Simulation of Local Residential Telephone Demand Under Alternative Service Options and Rate Structures, in Telecommunications Demand Modeling, ed. by A. de Fontenay, M. Concentration Camps Research? Shugard, and D. Sibley, North-Holland Press, 1989. Train, K., A Structured Logit Model of Auto Ownership and concert arias, Mode Choice, Review of Economic Studies, Vol. XLVII, pp. 357-370.
Reprinted in Transportation Economics: Theory and Practice, edited by why i want a nurse essay, Patrick McCarthy, Blackwell Publishers, Ltd., 2000. Train, K., P. Ignelzi, and M. Kumm, Evaluation of arias a Conservation Program for Commercial and Industrial Customers, Energy: The International Journal, Vol. 10, No. 10, 1985, pp. 1079-1088. Italics? Train, K., et al., The Billing Cycle and Weather Variables in dessay arias, Models of Electricity Sales, Energy: The International Journal,Vol 9, No. 11-12, 1984, pp. 1041-1047. Train, K., Optimal Transit Prices under Increasing Returns to concentration camps, Scale and a Loss Constraint, Journal of Transport Economics and Policy, Vol. XI, No.
2, pp. 185-194. Train, K., Discount Rates in Consumers' Energy-Related Decisions, Energy: The International Journal, Vol. 10, No. Dessay Concert Arias? 12, 1985, pp. Writing? 1243-1253. Reprinted in The Economics of Energy, edited by Paul Stevens, Edward Elgar Publishing, Ltd., 2000. Train, K., J. Herriges, and R. Windle, Statistically Adjusted Engineering (SAE) Models of End-Use Load Curves, Energy: The International Journal, Vol. 10, No. 10, 1985, pp.
1103-1111. Mannering, F. and dessay concert arias, K. Train, Recent Directions in Automobile Demand Modeling, Transportation Research, Vol. 19B, No. Inequality At Workplace? 4, 1985, pp. 265-274. Mason, C. and K. Train, A Route Forecasting Model for the Portland Area, in T. Keeler (ed.), Research in Transportation Economics, Vol. II, Pergamon Press, 1985. Train, K., The Salt Lake City Experiment with Short-Term Elimination of dessay concert Transit Fares, Transportation, Vol.
10, 1981, pp. 185-199. Train, K., The Potential Demand for Non-Gasoline-Powered Automobiles, Transportation Research, Vol. 14A, 1980, pp. 405-414. Lave, C. and K. Train, A Disaggregate Model of Auto Type Choice, Transportation Research, Vol. Gender Inequality At Workplace? 13A, 1979, pp. 1-9. Dessay? Train, K., Consumers' Responses to Fuel Efficient Vehicles, Transportation, Vol.
8, 1979, pp. 237-258. Train, K., A Comparison of the Predictive Ability of Mode Choice Models with Various Levels of Complexity, Transportation Research, Vol. 13A, 1979, pp. 11-16. McFadden, D., K. Train, and W. Tye, An Application of Diagnostic Tests for essay underline, the Independence from Irrelevant Alternatives Property of the Multinomial Logit Model, Transportation Research Record, No. 637, 1978, pp.
39-46. Train, K., A Validation Test of a Disaggregate Mode Choice Model, Transportation Research, Vol. 12, 1978, pp. 167-174. Train, K. and D. McFadden, The Goods/Leisure Tradeoff and Disaggregate Work Trip Mode Choice Models, Transportation Research, Vol.
12, 1978, pp. Dessay Concert Arias? 349-353. Reprinted in Urban Transport, P. Rietveld, K. Camps Paper Outline? Button and P. Nijkamp, Eds., Edward Elgar Publishing, 2001 Train, K., The Sensitivity of Parameter Estimates to Data Specification in Mode Choice Models, Transportation, Vol. 7, 1978, pp. 301-309. Published Reviews, Comments, and Notes. Dessay Concert Arias? Reply to ‘On the adequacy of scope test results: Comments on Desvousges, Mathews, and survey research, Train,’” Ecological Economics, Volume 30, October 2016, pp. 361-362, with W. Desvousges and K. Mathews.
Comment on ‘A revealed preference approach to valuing non-market recreational fishing losses from the Deepwater Horizon Oil Spill’ and its ‘Corrigendum’ by Alvarez et al., Journal of Environmental Management, forthcoming 2016. From Curious to Pragmatically Curious: Comment on ‘From Hopeless to dessay concert arias, Curious? Thoughts on Hausman’s “Dubious to Hopeless” Critique of Contingent Valuation’, Applied Economic Perspectives and Policy, forthcoming 2016, with W. Desvousges and K. Gender Essay? Mathews. Review of Morey and Waldman's 'Measurement Error in Recreation Demand Models,' Journal of Environmental Economics and Management, Vol. 40, No. 1, pp. 76-81, 2000, with D. McFadden and R. Dessay Arias? Johnson. Review of creative writing kindergarten Dimensions of dessay arias Automobile Demand, by italics, Hensher, Smith, Milthorpe, and arias, Bernard, Transportation Research, Vol, 28A, No.
4, 1994, pp.365-368. Research? Using Discrete Choice Models to Determine Free Ridership, Evaluation Exchange, Vol. 3, No. 1, Jan./Feb. 1993, pp. 12-14. The Seven Deadly Sins of DSM Program Evaluations, with G. Weisbrod, Strategies, Vol. 4, No. 1, 1993, p. 9. Review of J. Daniel Khazzoom, `An Econometric Model Integrating Conservation Measures in the Residential Demand for Energy', Energy Journal, Vol.
8, No. 3, 1987, pp. Dessay Concert Arias? 159-60 Review of Clifford Winston and Associates, `Blind Intersection? Policy and the Automobile', Transportation Science, Vol. 22, No. 3, 1988, pp. 227-228. Comment on David Greene, `A Note on Implicit Consumer Discounting of Automobile Fuel Economy: Reviewing the Available Evidence', Transportation Research, Vol. 17B, No. 6, 1983, pp. 498.
Foundations of Stated Preference Elicitation, with Moshe Ben-Akiva and survey paper, Daniel McFadden Comments on Chapman et al. (2009): Inadequate Response to Scope while Passing the Scope Test Recovery of Inter- and Intra-personal Heterogeneity using Mixed Logit Models, with Stephane Hess A Recursive Estimator for Random Coefficient Models Transportation Demand for Grain Shipments: A Revealed and Stated Preference Approach, with W. Wilson A Comparison of Hierarchical Bayes and Maximum Simulated Likelihood for Mixed Logit. Customer-Specific Taste Parameters and dessay, Mixed Logit, with D. Revelt Halton Sequences for Mixed Logit. Simulation Methods for Probit and Related Models Based on Convenient Error Partitioning. Pareto Superior Voluntary Time-of-Use Prices. Invited Lectures and Presentations of Refereed Papers. Mixed Logit and Adanced Methods of Choice Modeling, summer workshop at U. Inequality At Workplace? Bologna, June 2009. EM Algorithms for Nonparametric Estimation of Mixing Distributions, workshop at U. Bologna, July 2008; Haas School of Business, Berkeley, Sept. 2008. Discrete Choice Methods, workshop at concert arias American Agricultural Economics annual meetings, Portland OR, August 2007. Estimation Strategies for Discrete Choice Models, Invitational Choice Symposium, Wharton School, June 2007.
A Recursive Estimator for Random Coefficient Models, Department of Economics, University of California, Berkeley, April 2007. Estimation on motif, Stated-Preference Experiments Constructed from Revealed-Preference Choices, Iowa State University, March, 2007; Conference in dessay concert arias, Honor of Frank Koppelman, Northwestern University, June, 2007; World Conference on Transportation Research, Berkeley, June 2007. Transportation Demand for Grain Shipments: A Revealed and Stated Preference Approach, Transportation Research Board meetings, Washington, D.C., January, 2005. Recent Advances in Discrete Choice Analysis, keynote address, Mexican Statistical Association meetings, Monterrey MX, October 2004; American Agricultural Economics Association Meetings, Denver, July, 2004. Vehicle Choice Behavior and the Declining Market Share of U.S. Automakers, Yale Department of Economics and School of Management, November 2004; Stanford Department of Economics, October 2004; New York University School of creative kindergarten Business, March 2004; Department of Economics, University of California, Irvine, May 2004.
Mixed Logit with Bounded Distributions of Partworths. Conference on Assessing Customer Preferences, University College London, May 2003. Surveys for Intellectual Property Damage Calculation. International Law Seminars workshop on Calculating and Proving IP Damages, San Francisco, January 2003. Omitted Product Attributes in Discrete Choice Models. Haas School, Wharton School, Standford Graduate School of Business, Stanford Economics Department, Georgia Tech School of Economics, University of California-Irvine Economics Department, Cambridge University, American Economics Association Meetings, 2002-3. The Weakest Link: Who Gets Voted Off; Performance, Pride and Prejudice, 20th Annual International Communications Forecasting Conference, San Francisco, June 2002. Recent Advances in dessay arias, Discrete Choice Methods, 2nd World Congress of Environmental and Resource Economists, Monterey, June 2002.
Customer-Specific Taste Parameters and Mixed Logit, University of California, Irvine, November 2000, and University of California, Davis, May 2001. Customer Choice Among Telecommunications Products and Services, 18th Annual International Communications Forecasting Conference, Seattle, September 2000. Customer Choice Analysis: Modeling, Estimating, and Forecasting, Symposium on essay, Market Research for New Energy Products and Services, San Francisco, June 2000. On Classical Estimation of Customer-Level Partworths, 11th Annual Advanced Research Techniques Forum, American Marketing Association, Monterey, June 2000. Estimating Partworths for Individual Customers, Sawtooth Conference on Market Research Methods, Hilton Head, March 2000. Mixed Logit: The New Frontier, 12th Forecasting Symposium, Electric Power Research Institute, Denver, April 1999. The Cost of the Local Telecommunication Network: A Comparison of Minimum Spanning Trees and the HAI Model, National Telecommunications Forecasting Conference, Arlington VA, October 1998. Dessay Concert Arias? Assessing the Value of Brands and Product Attributes, Seminar on Property Rights, Palo Alto, CA, July 1998. Mixed Logit: An Overview with Applications, NSF Symposium on at workplace, Eliciting Preferences, Berkeley, July 1997.
Customer Choice in Telecommunications, two-day workshop given in conjunction with the dessay arias International Communications Forecasting Conference, San Francisco, June, 1997. Advanced Topics in Choice Modeling, five lectures given at MIT's workshop on choice modeling, Cambridge, June, 1997. Why I Practitioner Essay? Qualitative Choice Analysis of Energy Decisions, two-day workshop given at the U.S. Energy Information Administration, Washington, D.C., July, 1996. Incentives for Appliance Efficiency in a Competitive Energy Industry: An Application of Random-Parameters Logit, presented at dessay arias American Economic Association meetings, San Francisco, January, 1996, and the summer study meetings of the camps outline American Council for and Energy Efficient Economy, Asilomar CA, August 1996.
Econometrics for a Competitive Age, keynote address at the 13th Annual International Communications Forecasting Conference, Toronto, June 1995. The Design and Impact of Feebates, presented at American Economic Association meetings, Washington DC, January 1995, and at Transportation Research Board meetings, Washington DC, January 1995. Estimation of Net Savings for Rebate Programs: A Three-Option Nested Logit Approach, ACEEE 1994 Summer Study on Energy Efficiency in Buildings, published in Resource Planning Methodologies, Vol. Dessay? 7 of proceedings, pp. 7.239-7.247, co-authored with S. Buller, B. Mast, K. Parikh, and E. Paquette. A Unified Approach to gender inequality at workplace essay, Estimation of the Free-Ridership and arias, Spillover Components of essay Net savings, ACEEE 1994 Summer Study on Energy Efficiency in Buildings, published in concert, Measurement and Evaluation, Vol. 8 of proceedings, pp. 8.163-8.170, co-authored with E. Paquette and S. Buller. Modeling Technology Adoption and DSM Program Participation Decisions, ACEEE 1994 Summer Study on Energy Efficiency in Buildings, published in Human Dimensions of Energy Consumption, Vol. Creative Writing Kindergarten? 1 of proceedings, pp.
1.9-1.17, co-authored with S. Buller, G. Weisbrod, and R. Barnes. A Model of Appliance Efficiency Choice Using Stated- and dessay arias, Revealed-Preference Data, ACEEE 1994 Summer Study on Energy Efficiency in Buildings, published in Resource Planning Methodologies, Vol. 7 of proceedings, pp. 7.1-7.11, co-authored with T. Atherton, C. Chen, and R. Ridge. Households' Choices of Efficiency Levels for Appliances: Using Stated- and Revealed-Preference Data to Identify the Importance of rebates and Financing Arrangements, Sixth Biennial Marketing Research Symposium, Los Angeles, November 1994.
Published in Proceedings volume, with co-author T. Atherton. A New Frontier in Program Evaluation: The Measurement of Spillover Benefits, Third International Energy Efficiency and DSM Conference, Vancouver, November 1994, with co-authors G. Weisbrod, C. Chen, and M. Brown. Estimation of Net Savings for Rebate Programs: A Three-Option Nested Logit Approach, paper presented at 1994 Summer Study on Energy Efficiency in essay, Buildings, American Council for an Energy-Efficient Economy, August-September 1994. Published in the Proceedings volume, with co-authors S. Buller, B. Mast, E. Paquette, and dessay, K. Parikh. A Model of Appliance Efficiency Choice Using Stated and Revealed Preference Data, Summer Study on Energy Efficiency in Buildings, American Council for why i a nurse practitioner essay, an Energy-Efficient Economy, August-September 1994. Published in the Proceedings volume, with co-authors T. Atherton, C. Chen, and R. Ridge. Modeling Technology Adoption and DSM Program Participation Decisions, Summer Study on Energy Efficiency in Buildings, American Council for an Energy-Efficient Economy, August-September 1994.
Published in the Proceedings volume, with co-authors S. Buller, G. Weisbrod, and R. Barnes. A Unified Approach to the Estimation of the Free-Ridership and Spillover Components of Net Savings, paper presented at 1994 Summer Study on Energy Efficiency in Buildings, American Council for an Energy-Efficient Economy, August-September 1994. Published in the Proceedings volume, with co-authors E. Paquette and S. Buller. Feebates: Estimated Impacts on Vehicle Fuel Economy, Fuel Consumption, CO-2 Emissions, and Consumer Surplus, Conference on Transportation and concert arias, Energy Strategies for a Sustainable Transportation System, Asilomar, CA., August 1993. Short-Haul Toll Elasticities: Estimates from a Fully Discrete Model, National Telecommunications Demand Study meetings, San Diego, December 1992, and National Telecommunications Forecasting Conference, Crystal City, VA, June 1993.
Tha Environmental and Economic Impacts of why i essay Increased Fuel Efficiency in the Personal Transportation Sector, POWER Conference on the Economics of dessay arias Energy Conservation, June 1992. Published as UC Energy Institute Report PCP001, with co-authors C. Lula, A. Cristofaro, M. Shelby, and R. Miles-Mclean. Optional Time-of-Use Prices for Electricity, Camp Econometrics, Marshall, CA, February 1992, with co-author G. Mehrez. Personal Vehicle Energy Consumption and CO2 Emissions, International Association of Energy Economists Annual Conference, Honolulu, July 1991. Research Paper? Evaluation of Demand-Side Management Programs: Methods and Issues, Workshop on Energy Planning, California Institute for Energy Efficiency, Napa, June 1990. Customers' Choices Among Service Offering: Recent Advances in Theory and Econometrics, Conference on Telecommunications Demand Analysis, Hilton Head, April 1990.
Self-Selecting Tariffs under Pure Preferences Among Tariffs, Conference on Telecommunications Demand Analysis, Hilton Head, April 1990. Impact Evaluation of Project HELP: Direct Weatherization for Low-Income, Elderly, and Handicapped Customers, Conference on Energy Conservation Program Evaluation, Chicago, August 1989. The Impact of Audits on Customers' Decisions to Take Conservation Actions, Summer Study on Energy Efficiency in Buildings, American Council for an Energy Efficient Economy, August 1988. Mandatory versus Optional Measured Rates for Local Telephone Service, Advanced Workshop in dessay concert, Regulation and Public Utility Economics, Monterey, CA., July 1988. Voluntary Time-of-Use Rates for Electricity, workshop in Load Management, Tel Aviv, June 1988. Meeting Competition for Intra-LATA Toll Calls: Extended Area Services, Telecommunications Demand Analysis Forum, Key Biscayne, January, 1988. Empirical Methods for Identifying the Relation Between Households' Calling Patterns and the Choice of Service, Telecommunications Demand Analysis Forum, Key Biscayne, January 1988, with co-authors M. Ben-Akiva and T. Atherton. Managing Service Reliability: Options for Welfare Improvements and Pareto Dominance, International Association of Energy Economists, San Francisco, September 1987. Combined Engineering/Statistical Methods for Estimating End-Use Load Shapes, Workshop on Residential End-use Loads, Sponsored by Lawrence Berkeley Laboratory and the California Energy Commission, Berkeley, September 1987. Discrete/Continuous Models, Department of Civil Engineering, MIT, June 1987. Net Savings from A Rebate Program for Commercial and Industrial Customers, Conference on Energy Conservation Program Evaluation, Chicago, August 1987.
The Impact of the Auditor on concentration, Conservation Implementation, Conference on Energy Conservation Program Evaluation, Chicago, August 1987. Analysis of Interrelated Choices: GEV and concert arias, Discrete/Continuous Models, Bell Communications Research course on creative, Qualitative Choice Analysis, Morristown, NJ, September 1986. Discrete Choice Models of dessay concert arias Telecommunications Demand, Seminar on Qualitative Choice Analysis, Department of Civil Engineering, MIT, August 1985, June 1986, and June 1987. Energy Conservation in Commercial Food Preparation and Sales, Annual Meeting of the American Association of Agricultural Economists, Reno, August 1986. Gender Essay? Consumer Attitudes and Econometric Models of concert arias Choice, Conference on Marketing Research, American Marketing Association, Oahu, Hawaii, March 1986. The Demand For Local Telephone Service: The Interrelation of Calling Patterns and death salesman, Service Option Choices, Telecommunications Demand Modeling Conference, New Orleans, October 1985, co-athored with D. Arias? McFadden and M. Ben-Akiva. Rebates for concentration outline, Energy Savings Equipment in the Commercial and Industrial Sectors, Second National Conference on Energy Conservation Program Evaluation, Chicago, August 1985. Patterns of Automobile Demand and Fuel Consumption, Transportation-Energy Research Symposium, Marin, CA, April 1985. Qualitative Choice Analysis of Telecommunications Demand, Telecommunications Modeling Conference, Chicago, IL, September 1984. Weather Normalization of Electricity Sales, Symposia on Energy Demand and Conservation Research, Arlington, VA, May 1983, Denver, July 1983, and Seattle, July 1984. Combined Engineering/Econometric Methods for Estimating End-Use Load Curves, Symposium on Energy Demand and dessay, Conservation Research, Seattle, July 1984.
Estimating End-Use Load Shapes as Functions of Customer Characteristics, Dwelling Types, and the Weather, Symposium on Energy Demand and Conservation Research, Denver, July 1983. Methods for Weather Normalizing Energy Data, Western States Load Research Group, Portland 1982. Vehicle Ownership and Usage: An Integrated System of why i want to be a nurse Disaggregate Demand Models, Sixty-First Annual Meeting of the Transportation Research Board, Washington, DC, January 1982. Forecasting Systems for Energy Consumption for Personal Transportation, Hearing on dessay concert arias, Scenarios and Transportation Demand, California Energy Commission, Sacramento, CA, September 1980. A Probabilistic Choice Approach to Residential Demand for Long-Distance Telephone Services, Third International Conference on Analysis Forecasting and Planning for Public Utilities, Fontainebleau, France, June 1980, co-authored with D. McFadden. Gender At Workplace? Consumer Acceptance of dessay Electric Vehicles, Workshop on Energy Storage Systems for Automobile Propulsion, Department of Energy, Washington, DC, June 1979.
The Potential Demand for Non-Gasoline-Powered Automobiles, Fifty-Eight Annual Meeting of the Transportation Research Board, Washington, DC, January 1979. A Disaggregate Model of Auto Type Choice, General Motors Research Laboratory, Warren, MI, November 1978. The Demand for Special Performance Vehicles, Seminar on Energy Storage Systems for Automobile Propulsion, Brookhaven Labs, Long Island, August 1978. Exploring the salesman motif HART Patronage Projections, Seminar on Urban Mass Transit, Honolulu, January 1978. A Validation Test of a Mode Choice Model, Annual Meeting of the Transportation Research Forum, Atlanta, March 1977. Train, K., and W. Wilson, Transportation Demands in the Columbia-Snake River Basin,, report to the Institute for Water Resources, U.S. Army Corps of Engineers, March 2006.
Train, K., and W. Wilson, Shippers' Responses to Changes in Transportation Rates and Times, report to the Institute for Water Resources, U.S. Army Corps of Engineers, November 2004. Train, K., and colleagues, Customers' Willingness to Pay for Attributes of Electricity, Gas, and Water Service, report to ACTEW Corporation and ACTEWAGL, June 2003. Train, K., and K. Hudson, The Impact of Information on Vehicle Choices and the Demand for Electric Vehicles in California, report to Toyota and General Motors, September 2000. Dessay Concert Arias? Train, K., and A. Selting, The Effect of Price on Residential Customer Choice in Competitive Retail Energy Markets: Evidence from Specific Markets to Date, Edison Electric Institute Report, March 2000.
Selting, A., and K. Train, Projecting Market Share for concentration camps, Energy-Related Offerings, Electric Power Research Institute Report, December 1998. Arias? Train, K., Net Savings Estimation, chapter 5 of death motif essay Performance Impacts: Evaluation Methods for the Nonresidential Sector, Electric Power Research Institute Report TR-105845, December 1995. Davis, W., M. Levine, and dessay, K. Train, Effects of Feebates on Vehicle Fuel Economy, Carbon Dioxide Emissions, and Consumer Surplus, U.S. Department of Energy, Office of Policy, report DOE/PO-0031, February 1995. Train, K. et al., End-Use Load Shape Estimation: Methods and Validation, Electric Power Research Institute Report No. CU-7127, 1990. Train, K. and D. Dagang, Evaluation of the Commercial Incentives Pilot Program, report to Bonneville Power Administration, 1990. Train, K. and D. Dagang, Evaluation of the Commercial Audit Program, report to Bonneville Power Administration, 1988.
Train, K., and J. Strebel, Net Savings from Audit and Hardware Rebate Programs in death salesman, the Commercial and Industrial Sectors, report to Southern California Edison, 1986. Train, K., et al., Weather Normalization of Electricity Sales, Electric Power Research Institute Report No. EA-3134, 1983. Train, K., J. Herriges, and R. Windle, Combined Engineering/Statistical Approaches to dessay concert, Estimating End-Use Load Shapes, Electric Power Research Institute Report EA-4310, 1985. Research Paper? Train, K., California Personal Vehicle Energy Demand Model, report to dessay concert, the California Energy Commission, 1983. McFadden, D., and K. Train, Determinants of the Residential Demand for Long Distance Telephone Service, report to ATT, 1980. Statistical Consultant. Self-selection in energy efficiency program evaluation. For Pacific Gas and Electric Company (2016-2017.) Statistical Consultant.
Modeling of consumer welfare from ingredient labels. For Coke (2016). Statistical Consultant. Damages from lost recreation opportunities that resulted from the Deepwater Horizon oil spill. On behalf of defendant BP, in re: Oil Spill by the Oil Rig Deepwater Horizon in the Gulf of Mexico, on April 20, 2010, United States District Court for creative, the Eastern District of Louisiana, Case No. 2:10-md-02179. (2011-2016). Statistical Consultant. Natural resource damage assessment. For various clients. (2008-present.) Statistical Consultant.
Evaluation of the Smart Pricing Options. For Sacramento Municipal Utilities District (2013-2014.) Statistical Consultant. Modeling outcomes of multi-competitor events. For consortium of investors (2008-present). Statistical Consultant. Concert Arias? Estimating the potential uptake of electric vehicles in death, the UK.
For the Energy Technologies Institute. (2010-2011.) Statistical Consultant. Estimating the demand for vehicles and the impact of alternative policies on dessay, households’ vehicle holdings by CO2 level. For MEEDDAT, the French Department of Ecology, Energy. Sustainable Development and Spatial Planning (2008-2009.) Statistical Consultant. Estimating the impact of fees and creative writing, rebates on households’ vehicle holdings by CO2 level. Concert? For MEEDDAT, the French Department of Ecology, Energy.
Sustainable Development and Spatial Planning, (2008-2009.) Statistical Consultant. Analysis of consumer choice among cigarette brands. For the Office of the Attorney General, New York State (2007-2010.) Principal Investigator. Assessing shipper behavior and benefits from improved waterway transportation systems. For the Institute for Water Resources, U.S. Army Corps of Engineers (2003-6).
Principal Investigator. Forecasting demand for new vehicles. For Nissan (2004-5). Salesman Motif Essay? Statistical Consultant. Customers' willingness to pay for water service attributes. For Thames Water (2005-6). Statistical Consultant. Demand for new pharmaceutical products and consumers' valuation of dessay concert arias product attributes.
For Pfizer (2005-6). Principal Investigator. Statistical analysis of mortgage application and pricing data for fair lending compliance. For WMC Direct (2004-5). Statistical Consultant. Measuring substitution among wireline, wireless, VoIP, and cable telephony services. For Sprint (2004). Inequality At Workplace? Principal Investigator. Assessing customers' willingness to pay for arias, attributes of electricity, gas, and water service.
For ACTEW Corporation and ACTEWAGL, Australia (2002-3). Statistical Consultant. Demand for cable and satellite TV services. For Echostar (2002). Statistical Consultant. Customers' willingness to why i to be practitioner, pay for attributes of water service. For Yorkshire Water Service (2002-3). Dessay Concert? Statistical Consultant. Analysis of Hilton Honors point system. For Hilton (2001-3). Principal Investigator.
Measuring changes in quality of telecommunication services. Creative Writing? For Verizon (2002). Expert Witness. Defining the dessay arias product market for include survey research paper, smokeless tobacco products. For Swedish Match (2000). Arias? Principal Investigator. Procedures for valuing intellectual property for insurance purposes. For Marsh McLennan Companies (2000). Expert Witness. Defining the product market for bread for the proposed merger of Metz and Earthgrains.
For the U.S. Department of Justice, Antitrust Division (2000). Principal Investigator. Want Essay? Assessing the market demand for electric and hybrid vehicles. For Toyota and General Motors (2000). Principal Investigator.
Forecasting market shares in a competitive energy environment. Dessay Concert? For the Electric Power Research Institute (1998-1999). Expert Witness. Assessment of damages to Isuzu from Consumers Union's statements about the Trooper. For Consumers Union (1999). Expert Witness. Assessment of damages to essay italics, Suzuki from Consumers Union's statements about the Samurai. For Consumers Union (1999).
Statistical Consultant. Dessay Arias? Market definition for survey research paper, health insurance products in antitrust analysis of proposed merger of Aetna and Prudential Health. For Aetna (1999). Expert Witness. Measuring the efficiency of transmission and distribution operations. For Pacific Gas and Electric Company (1998).
Principal Investigator. Demand for alternative fueled vehicles and dessay concert, impacts on travel patterns. For the University of California Office of the President (1998-1999). Statistical Consultant. Salesman Essay? Weather adjustment of electricity sales. For the Electric Power Research Institute and Tennessee Valley Authority (1998-1999). Statistical Consultant.
Customer choice of supplier in concert, a competitive energy environment. For a consortium of energy utilities (1996-1998.) Expert Witness. Universal service funding in a competitive telecommunications environment. Essay Underline? For GTE (1997). Principal Investigator.
Development and application of improved models of customer choice. For California Advisory Committee on Demand-Side Management (1996-1997). Dessay? Expert Witness. Assessment of damage to anglers of river pollution. Camps Research Outline? For ARCO (1995-1997). Principal Investigator. Simulation study of net savings estimation methods. For California Advisory Committee on Demand-Side Management (1994-1995). Dessay Concert? Expert Witness.
Price elasticities for intraLATA telecommunication services. For GTE (1991-1993). Advisor. Feebate policies to improve average fuel efficiency of new cars and trucks. For the U.S.
Department of Energy (1991-1994). Advisor. Impact evaluation of demand side management programs. For Boston Edison, Niagara Mohawk Power Company, Pacific Gas and Electric Company, Puget Power, Northeast Utilities, and Southern California Edison (1991-1995). Concentration Camps? Principal Investigator. Dessay Arias? Empirical analysis of self-selecting tariffs. For the University-wide Energy Research Group (1991-1994).
Principal Investigator. Econometric analysis of customers' choice between time-of-use and standard rates for electricity. For the California Institute for Energy Efficiency (1990-1991). Principal Investigator. Policies to mitigate greenhouse gas emissions in personal vehicle transportation. For the U.S.
Environmental Protection Agency (1990-1991). Principal Investigator. Evaluation of an incentives program for energy conservation by firms. For Bonneville Power Administration (1989-1991). Principal Investigator. Highway electrification: options and impacts.
For the Southern California Association of Governments (1989-1990). Principal Investigator. The value of service reliability. For the want to be practitioner essay Electric Power Research Institute (1987-89). Principal Investigator.
Savings from a weatherization program for low-income households. For Pacific Gas and Electric (1988). Principal Investigator. Evaluation of Bright Ideas for Business program for energy conservation. For Wisconsin Power and dessay concert arias, Light (1987-88). Principal Investigator. Evaluation of an energy conservation program for agricultural firms. Gender At Workplace? For Wisconsin Utility Association (1987-88).
Principal Investigator. Acid precipitation and transportation policies. For Argonne National Laboratory (1987-88). Principal Investigator. Evaluation of an energy audit program for commercial buildings. For Bonneville Power Administration (1986-88). Principal Investigator. Analysis of service choice and local calling patterns under alternative rates. For Pennsylvania Bell (1986-1987). Principal Investigator. Estimation of electricity outage costs for commercial and industrial customers.
For Pacific Gas and Electric Company (1986-87). Principal Investigator. Design of regulatory mechanisms to handle excess capacity and by-pass. For Pacific Gas and Electric Co. (1986-87). Dessay? Principal Investigator. Impact of time-of-use rates for agricultural customers.
For Pacific Gas and Electric Co. (1986-87). Principal Investigator. Net savings from audit and rebate programs for kindergarten, commercial and dessay concert arias, industrial firms. For Southern California Edison (1984-86). Principal Investigator.
Analysis of the persistence of audit-induced energy savings. Gender Inequality At Workplace? For Southern California Edison (1983-84). Arias? Principal Investigator. Estimation of survey energy utilization indices for commercial buildings. For Southern California Edison (1983-84).
Principal Investigator. Identification of end-use load shapes using a joint engineering/econometric approach. For the Electric Power Research Institute (1983-84). Principal Investigator. Concert Arias? Impact assessment of a rebate program for energy conservation in the commercial and industrial sectors. For Southern California Edison (1983). Principal Investigator.
Development of methods for weather normalization of energy data. For the Electric Power Research Institute (1980-84). Principal Investigator. Estimation and creative writing, implementation of auto purchase and use model for California. For the California Energy Commission (1981-83). Principal Investigator. Identification of the dessay concert factors affecting telecommunication customers' choices among long-distance services, including WATS, SPRINT, EXECUNET, and concentration camps research paper outline, so on. For GTE (1981).
Project Manager. Development of a simplified method for transit route forecasting. For Tri-Met, Portland (1980-1981). Project Manager. Analysis of the impact of a one month period of dessay concert arias off-peak fare elimination for transit in gender, Salt Lake City. For the Utah Transit Authority (1979-1980).
Project Manager. Econometric analysis of the effect of uncertainty on the rate at which electric utilities adopt cost-saving innovations. For the Electric Power Research Institute (1979-1980). Project Manager. Analysis of dessay concert arias consumers' responses to safety features on automobiles.
For the National Highway Traffic Safety Administration (1980). Camps Research Paper Outline? Project Manager. Arias? Econometric demand analysis of telecommunications services, including long-distance service, WATS, and private lines. For American Telephone and Telegraph Company (1977-1979). Project Manager.
Evaluation of demand models for electricity and natural gas. For Pacific Gas and Electric Company (1978). To Be Essay? Project Manager. Forecasting demand for dessay, electric and other non-gasoline-powered vehicles. For Lawrence Livermore Laboratory (1978). Advice on the development of a model system for travel behavior in the Portland region. For Columbia Region Association of Governments (1977-1978). Examination of the patronage forecasts for Honolulu's proposed rapid rail transit system. For State Legislature of Hawaii (1977-1978). Research Paper? Examination of Metropolitan Transportation Commission's forecasting system to determine sources of error.
For the Metropolitan Transportation Commission of the San Francisco Bay Area (1977). Econometric analysis of the demand for travel by auto, bus, and rail in urban areas. For the National Science Foundation (1974-1977). Development of a methodology for specifying and estimating a model of the markets for dessay, new and used automobiles. For Cambridge Systematics, Inc. (1976). Econometric analysis of concentration camps research households' choices of which make of arias auto to buy.
For Energy Research and Development Administration (1976). Essay Italics Underline? Estimation of supply and demand models of the energy sector of the U.S. economy. For Data Resources, Inc. (1974). Econometric analysis of the demand for concert arias, hospital care in British National Health Service Hospitals. Sponsored by the Committee on creative kindergarten, Western European Studies, Harvard University (1973). Dessay Concert Arias? Data collection and analysis for a study of the relation between accounting methods and security prices. Inequality At Workplace Essay? For Harvard Business School (1971-1974). Collection of data on foreign corporations for a study of the relation between financial power and dessay, security prices. For Department of Economics, Harvard University (1971). University of California, Berkeley. Associate Adjunct Professor of Economics and Public Policy, 1988-1992.
Visiting Associate Professor, Department of Economics, 1984-1988. Senior Lecturer, Graduate School of Public Policy, 1987. Visiting Lecturer, Department of Economics, 1979-1984. Research Economist, Urban Travel Demand Forecasting Project, 1974-1977. Cambridge Systemactics, Inc. Director of Economic Research, 1985-1989.
Senior Associate, 1977-1985.
Custom Essay Order -
Mozart: Concert Arias - Natalie Dessay | Songs, Reviews - AllMusic
lyric essay journals First published in The Believer, July, 2003. The Genre Artist. If a story takes place, as we are told stories do, then who or what does it take that place from, and why is an acquisition verb—take—necessary to describe the activity of stories? Maybe it’s an unfair, literalizing question. Not all figures of speech need to be prodded for concert arias, accuracy (although shouldn’t a phrase relating to stories, which are made of language, have some passing precision?). Stories would keep taking place whether or not we worried about concentration research paper outline what it meant for dessay, them to do so, or worried about what stories actually did instead. But if we poked at this strange phrase, which suggests a theft of creative kindergarten setting in order for narrative to occur, we might also deduce that if a place is taken for arias, something to happen in creative writing kindergarten, it, then this taking must happen at a specific time (that’s what the word “happen” asks us to believe, anyway). Dessay Concert Arias! The verb “take” presumes duration, implies a moment (unless we take a break from time or take the research paper, opportunity to no longer experience time , options that are difficult, at best, to secure, unless we die).
It is this specific time that is meant to concern us when we encounter what is likely the most well known (i.e., terrifying) story opener of all: once upon a time. Imbedded in this innocent phrase, which I would like to prod for the rest of this paragraph until it leaks an interesting jelly, is a severally redundant claim of occurrence, perhaps the first thing a reader, or listener, must be promised (reader: consumer of arias artificial time). Survey! For the sake of contrast, to look at a more rigorously dull example, the dessay concert, opener “I have an idea” does not offer the same hope, or seduction, or promise (particularly if I am the “I”). Even the verb is static and italics underline, suggests nothing approximating a moment. Time is being excluded, and look at all the people already falling asleep. “Once upon a time” is dessay far more promising (something happened, something happened!).
We might need to believe that the camps research, clock is dessay arias ticking before we begin to invest our sympathies, our attentions, our energy. Fiction has, of course, since dropped this ingratiating, hospitable opener in camps, favor of subtler seductions, gentler heraldings of story. Dessay! But it is rare not to feel the clock before the first page is done, a verb moving the why i want essay, people and furniture around (whereas “having an idea” does not allow us to picture anything, other than, possibly, a man on a toilet). The physical verbs are waiting to assert themselves, to provide moments that we are meant to believe in, and verbs, traditionally, are what characters use to concert arias stir up the trouble we call fiction. Without physical verbs we have static think pieces, essays, philosophical musings. There is no stirring, because generally there is nobody there holding a spoon. This will be an interesting distinction to remember.
Maybe this is as it should be, since Proust said the duty of the literary artist was to tell the writing kindergarten, truth about concert time. Aside from death, blanching at the notion of duty, which is one of the required notions to blanch at, it seems clear to dessay me that Proust’s edict, interpreted variously, has served as a bellwether for most thriving traditions of fiction (which held true, of course, before Proust articulated it). If fiction has a main theme, a primary character, an occupation, a methodology, a criteria, a standard, a purpose (is there anything else left for include paper, fiction to concert have?), it would be time itself. Fiction is the production of false time for readers to creative kindergarten experience. Most fiction seeks to become time . Dessay Concert! Without time, fiction is camps paper outline nonfiction. Yes, that’s arguable—we have Borges, Roussel, Christine Brooke-Rose, and dessay arias, Robbe-Grillet, after all, among others, to tell us otherwise, and camps, it is in part their legacy, their followers (witting or not), whose pages will be shaken here until we have something that counts for a portrait of dessay arias this anti-story tradition. One basic meaning of narrative, then: to essay create time where there was none. Dessay Concert! A fiction writer who tells stories is a maker of time.
Not liking a story might be akin to not believing in its depictions of time. It sounds facile to say that stories occur, but it is part of the larger, relentless persuasion that time both is and salesman motif, envelops the practice we call story. We cannot easily separate the two. Yet if time is the most taken-for-granted aspect of fiction writing, it would seem precisely like the good hard wall a young, ambitious writer would want to arias bang his head against, in essay, order to walk and talk newly in the world of fiction (that’s still the dessay, desire, right?). To the writer searching for the obstacle to surpass , time would look plenty worthy a hurdle. Gender! If something must be overcome, ruined, subverted in order for fiction to stay matterful (yes, maybe the metaphor of progress in concert arias, literary art is pretentious and tired at this point (there’s time again, aging what was once such a fine idea)), then time would be the thing to beat, the thing fiction seemingly cannot do without, and therefore, to grow or change, must. John Haskell is among an intriguing new group of writers chiseling away at the forms of fiction writing without appearing exhaustingly experimental (read: unreadable). Haskell is working primarily without or around time, producing fiction that might appear more essayistic, discursive, inert, philosophical, and, well, literally timeless (which is not yet to say that his debut book is for the ages ). Yes, I said “inert,” because things do not have to move to concentration camps research be interesting. Dessay Arias! Think mountain. Death Salesman Motif! Think dead person.
Think thought. I say “think,” because Haskell is concert a thinker, and although he writes often about film, you could not film what he writes. I Am Not Jackson Pollock contains some storylike moments, but it is primarily a new kind of fiction, one that, curiously, hardly seems interested in italics, fiction at all (which is not to arias suggest that it reads autobiographically—the opposite is true, which makes a great case for secret-keeping). Haskell might be indebted to gender inequality essay Borges, but not in the way most so-called imaginative writers are. Dessay Concert! There’s no obsession with infinity and worlds within worlds, no conceptual masterminding at work to showcase a stoner’s tripped-out, house-of-Escher mentality, not much that would qualify as being made up. Haskell is why i want a nurse more interested in using modest, unassuming forms of nonfiction, as did Borges or Sterne (albeit Haskell does not perpetrate extravagant untruths): the essay, the report, the dessay, biographical sketch, the character analysis (this last is practitioner Haskell’s favorite, from real people like Glenn Gould and Jackson Pollock, to film characters like Anthony Perkins’s innkeeper in Psycho , to Topsy, the concert, first elephant executed by include research electricity). Haskell does not write characters so much as he writes about them, and it is this willful instinct toward exposition that is so curiously distinctive and unusual in dessay, the story-driven world of concentration research paper most new fiction. A fair question here might be this: where is the concert, fiction in this, if these “stories” of why i want to be practitioner Haskell’s refuse story and then faithfully essay to supply information, respectable information, analysis, and reflection, just as nonfiction might? And one fair answer might be: John Haskell’s primary fiction, overriding his entire project, the place where his fiction is located, is precisely in concert, his puzzling gesture of calling these pieces fiction in the first place. Concentration Research! He is fictionalizing his genre. Or, in other words, his fiction is genre itself.
Haskell is not an artist in a particular genre, he is an artist of genre. To do what Haskell does is to take several genuine risks, which occasions a word or two about risk. What could a writer in our country possibly be risking, other than his own pride, livelihood, or publishability, which are not exactly noble losses should they actually be lost? (Many of us began writing without pride and publishability anyway, and I’m not exactly clear what livelihood is.) Yet risk is the most urgent exhortation of what we are supposed to take when we write fiction (which is somehow different from the kind of dessay concert taking a story does when it takes place). Fiction is praised when it is called “risky,” but this sort of risk usually involves shattering, shameful disclosures. (I could fill the rest of this essay with examples of shattering, shameful disclosures, but maybe just one will do: while wrestling with my dog, experimenting on a new hold called “the Sumatra,” we ended up horizontal on the lawn, head to toe, and thereupon commenced a directed nuzzling, a purposeful mouth-to-balls activity, that in inequality at workplace, some quarters of arias academe is referred to concentration camps paper outline as the sixty-nine, which then became a standard “variation” on the “Sumatra,” well into adulthood (especially into adulthood)). With secret-telling having become its own lucrative industry, it’s hard to fathom what a risk of subject-matter might be (though I’m certain better, scarier secrets are approaching in next season’s books, however ill-equipped my imagination is to conceive them). Risks of dessay form, on the other hand, might seem more provocative, more inherently interesting to those attuned to the established modes and means of fiction writing (Hey, you guys!), but the risk more often cited in concentration camps paper outline, these cases is the financial sort that a publisher takes in publishing such work. They risk not selling enough books.
And they are sorry but they cannot take that risk (it is interesting that the writer is dessay concert arias supposed to kindergarten be risky while the dessay, publisher is not). Risk might very well have a more palpable financial meaning than an artistic one. So while it is no longer clear what literary risk is—perhaps the survey paper, term has been molested to death, like those other harassed words: edgy, innovative, startling, stunning—it could be more appropriate to say that within the larger, hapless chance-taking of writing at all (when indifference is dessay concert arias about the italics underline, scariest, and likeliest, response most of us might face), writing fiction without story seems especially curious, willfully self-marginalizing, and therefore very much worth considering. Concert! (No, not all obscure literary gestures are “interesting,” but something akin to playing golf without one’s body, as John Haskell might be doing, is.) The shopworn adage “show-don’t-tell” reinforces the ethos that fiction must have a story, and warns a writer away from discursive, essayistic moments and exposition, which apparently amount to at workplace a kind of quicksand for the writer (a statement that presupposes motion as a valuable aspect of fiction writing). Haskell’s quicksand is rich as a batter and quite worth getting trapped in, although so much inertia can feel confining. If we are to be cast in mud, and then smothered, we want our demise to be fascinating. Dessay Arias! Telling is supposedly insufficient, it cannot produce a quality demise, since it does not dramatize a moment, or in fact does not even supply a moment at all. Telling is creative stingy with time. Yet even though we “tell” a story, we only do it well when we do not actually tell it, but show that story occurring in dessay concert arias, time. Does telling fail because it discriminates against death motif the notion of moments entirely?
Take this paragraph in Haskell’s story, “The Faces of Joan of concert Arc.” Hedy Lamarr, through most of the movie, takes the side of those in essay, authority, which is arias not the gender, same as having authority. Obedience is a way of concert arias reconciling oneself to concentration camps paper outline a lack of authority or a lack of choice. Arias! But it’s not the only way. This is a funny (read: not-so-funny) way to start a section in a story, but this is Haskell in his psychological mode, and it’s a tone he turns to practitioner frequently, which can make parts of this book sound eerily similar to the DSM-IV-TR Case Studies: A Clinical Guide to concert arias Differential Diagnosis . His exposition is dutiful and a nurse, persistent, but he oddly does not seem to be using it to generate sympathy, which is what a narrative writer might hope for after disclosing details of character. Minimalism in fiction, which at its best extracted psychology purely from concert arias, surfaces, would be anathema to Haskell. One of his favorite things to do, his pet point throughout the book, is to probe the interior conflicts within a character, but the effect is rather more coldly intellectual than warmly empathic:
She creates a space between what she does and who she feels she is, so at least she can live with a little peace.He wanted to let whatever it was inside of him come out, and then change it, and by creative writing changing that he was hoping everything else would change. Inside that bubble he could relax and let who he was come out. She waited until what the camera wanted was fairly close to what she wanted, and although this wasn’t a perfect arrangement, she could pretend to stand it. … the man wanted to bring out whatever it was inside the boy. Haskell is expert at concert arias clarifying the moments when his characters feel estranged from themselves.
The defiance of Haskell’s title is a form of self-denial echoed throughout most of these stories. Kindergarten! He is dessay arias so shrewd at depicting this sort of moment, that for him it is want a nurse practitioner essay apparently sufficient to concert carry whole stories. Writing! Once he has achieved the revelation, he seems ready to end his story. If he has a deficiency, it’s his inability to convert his fascinations into whole pieces of writing that prove the artistic adequacy of his idea. If Haskell is desperate to dessay concert arias show us how people hide from themselves and conspire against their own better interests, working as multiple identities in essay italics underline, agonizing contexts—which is, after all, a familiar enough idea routinely explored, or dramatized, by many writers—then it’s upon him to make our experience of this idea immediate, visceral, and potently refreshed. Maybe it’s not upon him , but when the dessay arias, idea is centralized, as it is in Haskell’s work, and narrative is at workplace essay deliberately excluded, there is a risk when that idea does not seem novel. To be fair, Haskell has no real comforting tradition to dessay fall back on, to guide him in his efforts, so he must invent for himself what an ending, in this sort of writing, might look like.
It’s an original path he has chosen, and it will be rewarding to why i want a nurse practitioner essay watch this exceptional writer as he navigates this new territory for fiction. When a prose writer such as Haskell surmises a distinction between story and dessay arias, fiction, as he so intriguingly has, a critic can safely ask after the include survey paper, absent story and not be upbraided for assuming that fiction must have one. A writer thus interested anyway in dividing the two projects risks an error of category, or at the least risks being read incorrectly (not that reading correctly sounds like a very compelling thing to be doing). But when, for example, David Markson, an expository novelist who fired the starting gun for fictions of information and proved that pure exposition can be alarmingly moving, who purposefully tells instead of shows, is concert dismissed in The New York Times for failing to provide a story in his novel Reader’s Block , no discussion follows about why, exactly, fiction must have one (at 150 words in the book review, how could any discussion follow?). Nor do we learn what a story might have looked like in such an exquisitely felt book that, to summarize, catalogs the a nurse practitioner essay, various ways historical figures have hated whole races of people and/or died by their own hands. (Yes, you should read this book.) Markson should have presumably, under the fiction-must-have-a-story criteria , zeroed in on dessay concert arias, one of his hundreds of gender at workplace characters and gone deep, doing that good old-time psychological work, the person-making stuff, dramatizing how such an interesting fellow had gone on to hate Jews and/or kill himself. Dessay Concert! Markson should have used more words like “then.” He should have sequenced.
He seems to gender inequality at workplace essay have forgotten that literature is supposedly a time-based art. Markson’s amnesia is one of the happy accidents of the concert, last decade of fiction writing. By eschewing a fetishistic, conventional interest in character, or a dutiful allegiance to moment creation, to occurrence itself, Markson accomplishes what a story, slogging through time and obedient to momentum, arguably could not: a commanding, obsessive portrait of single behaviors throughout history, a catalog of atrocity that overwhelms through relentless example. In truth, it’s a novel that can be read as an essay italics underline essay, but unlike most essays, it’s lyrically shrewd, poetry in dessay arias, the form of history, and it’s brave enough to provide creepy, gaping holes where we normally might encounter context (the burden of the conventional essayist). This might explain a new category of death salesman writing, the lyric essay, swelling special issues of literary magazines (such as The Seneca Review ) and, in particular, a new, provocative anthology: The Next American Essay , edited (orchestrated, masterminded, realized) by dessay concert arias John D’Agata, the form’s single-handed, shrewd champion. The lyric essayist seems to enjoy all of the liberties of the fiction writer, with none of a fiction writer’s burden of unreality, the nasty fact that none of this ever really happened that a fiction writer daily wakes to. Motif Essay! One can never say of the lyric essayist’s work that “it’s just fiction,” a vacuous but prevalent dismissal akin to criticizing someone with his own name. The lyric essay is a rather ingenious label, since the essayist supposedly starts out dessay with something real, whereas the fiction writer labors under a burden to prove, or create, that reality, and can expect mistrust and writing, doubt from a reader at the outset. In fiction, lyricism can look like evasion, special pleading, pretension. In the essay, it is apparently artistic, a lovely sideshow to The Real that, if you let it, will enhance what you think you know.
The implied secret here is that one of the smartest ways to write fiction today is to say that you’re not, and then do whatever you very well please. Fiction writers take note. Some of the dessay, best fiction is these days being written as nonfiction. The Next American Essay proceeds chronologically from 1975 to 2003, from John McPhee (a re-animated Monopoly game) to Jenny Boully (all footnotes, no text), with D’Agata practicing his own artful transitions before each piece, waxing witty, smart, personal, mute, cleverly obtuse, passionate, lucid, myopic. D’Agata’s transitions alone, which show how alive an essay underline anthology can be, and would make any editor envious, provide a toolbox of concert arias categorically adulterous leapfrogs that could outfit a whole new generation of gender at workplace essay writers with the skills to launch an impressive and relevant movement of writing. Dessay Concert Arias! D’Agata as editor seems capable of reconfiguring almost anyone’s writing, like Robert Ashley collating found music into his own opera.
D’Agata decides what’s beautiful and makes it so through expert arrangement. There are writers here, Sherman Alexie among them, who must have been surprised to discover their stories qualified as lyric essays. D’Agata justifies the death essay, choice of dessay concert Alexie by claiming that fiction is underline a protective term, providing shelter for difficult material, which is really essayistic in nature. All fiction writers should be so lucky. The flagship practitioner of the lyric essay, who seems early on to have inspired D’Agata’s editorial imagination, is the Canadian poet Anne Carson.
Under the banner of arias poetry, Carson has produced some of the most rigorously intelligent and beautiful writing of the paper, last ten years: essays, stories, arguments, poems, most provocatively in arias, her early collection, Plainwater . Her piece, “Short Talks,” which she describes as one-minute lectures, and why i to be essay, which moves through the arias, history of philosophy like a flip-book of civilization, offering stern commandments and creative writing kindergarten, graceful fall-aways, simultaneously qualifies as fiction, poetry, and essay, and is championed protectively by ambassadors from each genre. The loose criteria for dessay arias, the lyric essay seems to invoke a kind of nonfiction not burdened by research or fact, yet responsible (if necessary) to sense and poetry, shrewdly allegiant to no expectations of genre other than the demands of its own subject. If that sounds strangely like fiction, several of the writers included here, Harry Mathews, Carole Maso, and Lydia Davis among them, first published their pieces in that genre, and will no doubt continue to. Others, like Carson or Boully or Joe Wenderoth, have consistently termed their work poetry. Camps Outline! Thalia Field has published her singular writing under the label of fiction, although it seems better read as poetry. Here, of course, it is an essay, as are works of autobiography.
David Antin shows up with more of concert his astonishingly boring diaries, continuing his decades-long ruse of consequence. Thankfully he cannot single-handedly ruin an anthology. David Shields provides a Lishian catalog of cliches that accrue curious meanings and expose how revealing banal language can actually be. Creative! And stalwarts like Joan Didion, David Foster Wallace, and Susan Sontag throw in with fierce, ambitious contributions that actually always were essays, although this lack of dessay genre-hopping is in the minority. Sadly absent from essay italics, what is otherwise one of the most significant anthologies published in years are a few true voices of the essay who would have fit right in with these other inspired eccentrics, among them: Daniel Harris, Lawrence Weschler, Joy Williams, and Dallas Wiebe. One instantly wonders how the chosen genre appellation liberates or constricts the writer, and whether or not John Haskell, absent from D’Agata’s all-star selection, would have fared better (whatever that might mean) under a different label, with someone like D’Agata warming-up for him. Might he be more appreciated as a lyric essayist, an artist of information not saddled by conventional readerly expectations? I ask because Haskell seems to suffer slightly when evaluated as a fiction writer, when one brings hopes of concert arias story to his book, which are hard not to bring. There’s the implied tedium of fiction not driven by story, particularly if a reader is expecting one (of course tedium, as Robbe-Grillet showed, can have its thrills). With storyless fiction, one suspects an intellectual lesson is at hand, instead of survey paper entertainment (this must either be fun or it must be good for me), with a reader’s pleasure not high on the author’s agenda. Expectation can flatten a reader’s willingness to forestall desires for story.
It is similar to feeling forever trapped in dessay arias, a flashback, waiting for camps research paper outline, the current scene. A reader saves attention and energy if he senses that what he’s reading is dessay concert arias not primary, the thing itself, and that the real story is camps ahead, and dessay, attention is the commodity the writer is striving to research paper outline create, at all costs. Haskell’s book could very nearly be shelved uncontested in the film studies section of the bookstore, and here it might perform its rogue fictionalizations with more astonishment, reversing his style of ambush, so to speak, since it is much more a collection of film studies with bursts of unreality, than it is a burst of unreality with moments of film studies. It might just be that the genre bending fiction writers—John Haskell, David Markson among them—so far, lack a champion like John D’Agata, although there’s no reason to think that he won’t be luring more fiction writers into his protective, liberating fold, where these categories can cease to matter. Dessay Arias! Once upon a time there will be readers who won’t care what imaginative writing is called and will read it for its passion, its force of writing kindergarten intellect, and for its formal originality.
Custom Academic Paper Writing Services -
Natalie Dessay: "Durch Zrtlichkeit und Schmeicheln" (Mozart
Paul et Virginie de Bernardin de Saint-Pierre. Dans une plaine intérieure de l'Ile de France (la future île Maurice), le narrateur découvre les ruines de deux petites cabanes. Dessay Concert! Il rencontre un vieillard venant à passer aux environs et lui adresse la parole : Mon père, lui dis-je, pourriez-vous m'apprendre à qui ont appartenu ces deux cabanes ? Le vieil homme, à la fois conteur, témoin de ce paradis perdu, et unique survivant va lui conter l'histoire de Paul et Virginie : Mon fils, ces masures et ce terrain inculte étaient habités, il y a environ vingt ans, par deux familles qui y avaient trouvé le bonheur. Deux françaises, Mme de la Tour, la jeune veuve d'un aristocrate libertin, et Marguerite, une paysanne bretonne séduite et abandonnée ont fui la métropole et sont venus cacher leur déshonneur dans cette colonie française. Elles mettent au monde, vers 1726, Virginie et Paul. Research Paper! Mme de la Tour, avec sa fille Virginie, et Marguerite, avec son fils Paul, sont aidées par un couple de noirs, Marie et Domingue. Dessay Arias! Les deux femmes unissent leur détresse et leur pauvreté et exploitent la terre. Concentration Research Paper! Leurs deux enfants grandissent comme frère et sœur : A insi ces deux petits enfants, privés de tous leurs parents, se remplissaient de sentiments plus tendres que ceux de fils et de fille, de frère et de sœur, quand ils venaient à être changés de mamelles par les deux amies qui leur avaient donné le jour. Les deux mères et leurs deux enfants goûtent sur cette île un bonheur simple qui semble vouloir effacer leurs malheurs passés.
Chaque jour était pour ces familles un jour de bonheur et de paix. Dessay Arias! Ni l'envie ni l'ambition ne les tourmentaient. Concentration Research! Elles ne désiraient point au-dehors une vaine réputation que donne l'intrigue, et qu'ôte la calomnie; il leur suffisait d'être à elles-mêmes leurs témoins et leurs juges. Concert! Cette petite communauté connaît une existence paisible dans la splendeur des paysages tropicaux. Want Practitioner Essay! Paul et Virginie grandissent en parfaite harmonie avec la nature.
Ils sont vertueux et candides : leur innocence les préserve du mal tant en actes qu'en pensée. Dessay Concert Arias! Seule une lettre de la tante de la Mme de la Tour vient, en 1738, troubler momentanément leur bonheur. Essay Italics Underline! Cette lettre, en provenance de France, que la mère de Virginie espérait depuis plus de dix ans, ne contient que reproches et leçons de morale. Concert Arias! Heureusement le trouble qu'elle provoque ne semble être que passager : Ainsi ils continuèrent tous d'être heureux et ce ne fut qu'un orage au milieu d'une belle saison. Outline! Paul et Virginie grandissent , et c'est là qu'apparaît le mal de Virginie : Cependant depuis quelque temps Virginie se sentait agitée d'un mal inconnu. Concert Arias! Ses beaux yeux bleus se marbraient de noir ; son teint jaunissait; une langueur universelle abattait son corps. Include Survey Research Paper! La sérénité n'était plus sur son front, ni le sourire sur lèvres. Dessay Concert! On la voyait tout à coup gaie sans joie, et triste sans chagrin. Survey Research Paper! Elle fuyait ses jeux innocents, ses doux travaux, et la société de sa famille bien-aimée.
Virginie est devenue adolescente, et elle découvre que ses sentiments pour Paul changent de nature. Dessay Concert! Il n'avait été jusqu'alors qu'un frère avec lequel elle partageait ses joies et ses jeux. Essay! Elle devine que la tendresse qu'elle éprouve pour lui se transforme en amour et elle l'imagine comme compagnon et comme époux. Concert! Paul, lui, n'a pas encore compris ce trouble qui anime Virginie : Elle fuyait ses jeux innocents, ses doux travaux, et la société de sa famille bien-aimée. Death Salesman! Elle errait çà et là dans les lieux les plus solitaires de l'habitation, cherchant partout du repos, et ne le trouvant nulle part. Dessay Concert! Quelquefois, à la vue de Paul, elle allait vers lui en folâtrant, puis tout à coup, près de l'aborder un embarras subit la saisissait ; un rouge vif colorât ses joues pâles, et ses yeux n'osaient plus s'arrêter sur les siens Paul lui disait : La verdure couvre ces rochers, nos oiseaux chantent quand ils te voient ; tout est gai autour de toi, toi seul est triste. Creative Writing! Et il cherchait à la ranimer en l'embrassant ; mais elle détournait la tête, et fuyait tremblante vers sa mère. Dessay Concert Arias! L'infortunée se sentait troublée par les caresses de son ami Paul ne comprenait rien à des caprices si nouveaux et si étranges. Survey Research Paper! Un mal n'arrivant jamais seul, un ouragan ravage l'exploitation : Bientôt des tonnerres affreux firent retentir de leurs éclats les bois, les plaines et les vallons ; des pluies épouvantables, semblables à des cataractes, tombèrent du ciel.
Puis lorsque la pluie cesse et que les vents reprennent leur cours ordinaire Paul et Virginie constatent l'étendue de la dévastation : À la vue de cette désolation, Virginie dit à Paul : vous aviez apporté ici des oiseaux, l'ouragan les a tués. Dessay! Vous aviez planté ce jardin, il est détruit. To Be A Nurse! Tout périt sur la terre ; il n'y a que le ciel qui ne change point. Arias! Paul lui répondit : Que ne puis-je vous donner quelque chose du ciel ! Mais je ne possède rien, même sur la terre. Paper! Virginie reprit, en rougissant : vous avez à vous le portrait de saint Paul. Dessay Concert Arias! À peine eut-elle parlé qu'il courut le chercher dans la case de sa mère. Lorsqu'il lui offre ce portrait , Virginie, émue lui fait cette promesse : Mon frère, il ne me sera jamais enlevé tant que je vivrai et je n'oublierai jamais que tu m'as donné la seule chose que tu possèdes au monde. Concentration Camps Paper! À ce ton d'amitié, à ce retour inespéré de familiarité et de tendresse, Paul voulut l'embrasser ; mais aussi légère qu'un oiseau elle lui échappa, et le laissa hors de lui, ne concevant rien à une conduite si extraordinaire. C'est alors qu'un nouveau danger apparaît ; la tante de la Mme de la Tour écrit à sa nièce lui enjoignant de lui envoyer Virginie, à laquelle elle destinait une bonne éducation, un parti à la cour, et la donation de tous ses biens . Au fond d'elle-même Mme de la Tour n'est pas mécontente de cette opportunité. Dessay Concert Arias! Elle prend sa fille à part et tente de la raisonner Mon enfant, nos domestiques sont vieux ; Paul est bien jeune, Marguerite vient sur l'âge ; je suis déjà infirme : si j'allais mourir, que deviendriez-vous sans fortune au milieu de ces déserts ? vous resteriez donc seule, n'ayant personne qui puisse vous être d'un grand secours, et obligée, pour vivre, de travailler sans cesse à la terre comme une mercenaire. A Nurse Practitioner! Cette idée me pénètre de douleur Voyant la peine que cette séparation vaudrait à Virginie, Mme de la Tour est prête à se résoudre, mais le gouverneur de l'Ile vient forcer le destin.
Il envoie un prêtre qui a pour mission de convaincre à la fois la mère et la fille. Emmenée de nuit par le gouverneur, Virginie embarque à contrecœur, pour la France sans même avoir pu dire au revoir à Paul. Arias! La séparation est douloureuse. Concentration Outline! Paul, pour la première fois de son existence, explose de colère. Dessay Arias! Il va se plaindre aux arbres, aux rochers et aux oiseaux. Gender At Workplace Essay! C'est comme si on concert arias avait arraché la fleur du bonheur qui poussait naturellement dans son cœur. Research Paper! Pour atténuer la séparation et pouvoir correspondre avec Virginie , il apprend à lire et à écrire. Arias! Il voulut ensuite s'instruire dans la géographie pour se faire une idée du pays où elle débarquerait ; et dans l'histoire, pour connaître les mœurs de la société où elle allait vivre . Virginie est elle aussi désespérée d'abandonner Paul. Why I Want A Nurse Essay! Loin de se réjouir de cette fortune que sa tante désire lui léguer, elle souffre de cette vie européenne à laquelle elle ne parvient pas à s'adapter. Concert! Pendant plus d'un an italics underline Paul et Virginie restent sans nouvelles l'un de l'autre, les lettres qu'ils s'échangent , étant interceptées par la grand-tante de Virginie. Dessay Concert Arias! Pendant cette année qui lui parait interminable , Paul qui lit maintenant des romans reste inconsolable : il fut tout bouleversé par la lecture de nos romans à la mode, pleins de mœurs et de maximes licencieuses ; et quand il sut que ces romans renfermaient une peinture véritable des sociétés de l'Europe, il craignit, non sans quelque apparence de raison, que Virginie ne dut à s'y corrompre et à l'oublier.
Virginie, par des moyens détournés parvient enfin à faire parvenir à sa mère une première lettre. Gender! Mme de la Tour découvre combien sa fille est malheureuse en métropole. Dessay! La richesse qui l'entoure, le titre de comtesse, les robes somptueuses, les deux femmes de chambre à ses soins ne parviennent pas atténuer la douleur de la séparation. Et quand la grand-tante se met en tête de marier Virginie, celle-ci préfère être déshéritée et chassée de France. Italics Underline! Elle ne pense plus dès lors qu'à Paul et au retour. On annonce son retour imminent. Arias! Sur le chemin du retour, au moment d'aborder son ïle natale, le Saint-Géran est pris dans la tempête. Salesman Essay! Le bateau qui la ramène à l'île de France fait maufrage sous les yeux de Paul. Dessay Concert! Plutôt que de se déshabiller , Virginie préfère se noyer , sous les yeux de Paul, qui reste impuissant sur le rivage : On vit alors un objet digne d'une éternelle pitié: une jeune demoiselle parut dans la galerie de la poupe du Saint-Géran, tendant les bras vers celui qui faisait tant d'efforts pour la joindre. Creative! C'était Virginie.
Elle avait reconnu son amant à son intrépidité. Dessay Concert! La vue de cette aimable personne, exposée à un si terrible danger, nous remplit de douleur et de désespoir pour Virginie, d'un port noble et assuré, elle nous faisait signe de la main, comme nous disant un éternel adieu. Tous les matelots s'étaient jetés à la mer Il n'en restait plus qu'un sur le pont, qui était tout nu et nerveux comme Hercule. Il s'approcha de Virginie avec respect : nous le vîmes se jeter à ses genoux, et s'efforcer même de lui ôter ses habits ; mais elle, le repoussant avec dignité, détourna de lui sa vue. Include! On entendit aussitôt ces cris redoublés des spectateurs : Sauvez la, sauvez la ; ne la quittez pas ! Mais dans ce moment une montagne d'eau d'une effroyable grandeur s'engouffra entre l'île d'Ambre et la côte, et s'avança en rugissant vers le vaisseau, qu'elle menaçait de ses flancs noirs et de ses sommets écumants. Dessay Arias! À cette terrible vue le matelot s'élança seul à la mer ; et Virginie, voyant la mort inévitable, posa une main sur ses habits, l'autre sur son coeur et levant en haut des yeux sereins, parut un ange qui prend son vol vers les cieux. Le vieillard entreprend de consoler le jeune homme. Inequality At Workplace! Mais son bonheur évanoui à tout jamais, Paul succombe au poids de sa douleur, bientôt suivi dans la mort par les mères des deux jeunes gens. C'est en 1788 que Bernardin de Saint-Pierre publie Paul et Virginie . Dessay! Ce récit est non seulement le chef-d'œuvre de l'auteur, mais encore un des chefs-d'œuvre du 18ème siècle. Ce récit est paru dans la troisième édition des œuvres de la Nature. L'une des scènes importantes du récit, le naufrage de Virginie aurait été inspiré par un fait divers qui s'est produit en 1744: le 17 août de cette année-là, disparaissent deux amants dans le naufrage du navire Saint-Géran : Mme Cailloux, une créole, et M. Essay Italics Underline! Longchamps de Montendre, enseigne de vaisseau . Quelques citations de Paul et Virginie. Ainsi croissaient ces deux enfants de la nature.
Aucun souci n'avait ridé leur front, aucune intempérance n'avait corrompu leur sang, aucune passion malheureuse n'avait dépravé leur cœur : l'amour, l'innocence, la piété, développaient chaque jour la beauté de leur âme en grâces ineffables, dans leurs traits, leurs attitudes et leurs mouvements . On la voyait tout à coup gaie sans joie, et triste sans chagrin. Concert! On ne fait son bonheur, disait-elle, qu'en s'occupant de celui des autres. Include Survey Research! Quelques jugements sur Paul et Virginie. Il est certain que le charme de Paul et Virginie consiste en une certaine morale mélancolique qui brille dans l'ouvrage, et qu'on pourrait comparer à cet éclat uniforme que la lune répand sur une solitude parée de fleurs. Dessay Concert Arias! Or, quiconque a médité l'évangile doit convenir que ces préceptes divins ont précisément ce caractère triste et tendre. Gender Essay! Bernardin de Saint-Pierre qui, dans ses Etudes de la Nature , cherche à justifier les voies de Dieu, et à prouver la beauté de la religion, a dû nourrir son génie des livres saints. Chateaubriand, Le Génie du Christianisme, 1802. Alors, c'est comme une enfance du monde que transcrit le roman de Bernardin: nous sommes projetés avant . Concert Arias! Avant le désir, dans la simple satisfaction du besoin; avant l'accumulation, dans la simple production de l'autarcie; avant la sophistication, dans le simple appareil de la frugalité; et aussi avant la sexuation, dans l'indistinction des êtres; avant l'individuation; dans l'échange des propriétés ; avant la faute, dans l'innocence ; avant la parole, dans la manifestation; avant la pensée, dans l'évidence; avant les cultures dans la compénétration des modèles de la beauté. Salesman! Avant la catastrophe , dans l'enfouissement en Dieu. Concert Arias! Appelez les comme vous voulez, Paul et Virginie, miroirs l'un de l'autre dans cet avant -là.
Jean Delabroy, Préface de Paul et Virginie , Pocket. Après Rousseau, dont La Nouvelle Héloïs e avait connu un engouement du même ordre, Bernardin avait touché la corde sensible en s'adressant au cœur . Camps Research Paper! Son roman marque le point d'aboutissement littéraire , il est le résultat fatal d'une évolution qui, depuis l'abbé Prévost, s'efforce de substituer à l'esthétique classique , une esthétique dont la sensibilité est l'élément essentiel. P. Concert Arias! Trahard, Editions Garnier, 1958. Paul et Virginie : Une histoire de corps trop jeunes et de civilisation trop vieille, de nature trop verte et de tabou trop fort. Lamartine , Balzac et Flaubert ont rendu indirectement hommage à Paul et Virginie . Why I Want To Be Practitioner Essay! En effet, trois de leurs héroïnes, Graziella ( Graziella , 1849), Véronique ( le Médecin de Campagne , 1833) et Emma Bovary ( Madame Bovary , 1856) apparaissent chacune penchée sur ce roman de Bernardin de Saint-Pierre. Achetez des livres à propos de bernardin saint pierre paul virginie chez l'un de nos partenaires.
Retrouvez les grands moments. du Festival de Cannes Molière, ce grand peintre de l'homme tel qu'il est. Concert Arias! Shakespeare seul a enfanté une humanité aussi large et aussi vivante. Survey Paper! Emile Zola, 1881. Aujourd'hui, maman est morte. Dessay! Ou peut-être hier, je ne sais pas.
J'ai reçu un télégramme de l'asile : Mère décédée. Camps Research! Enterrement demain. Dessay Concert! Sentiments distingués. To Be A Nurse Practitioner! Cela ne veut rien dire. Dessay! C'était peut-être hier. Salesman Motif! mais il y a au monde une chose sainte et sublime, c'est l'union de deux de ces êtres si imparfaits et si affreux. Dessay Arias! On est souvent trompé en amour, souvent blessé et souvent malheureux; mais on include survey research paper aime, et quand on dessay concert est sur le bord de sa tombe, on concentration camps se retourne pour regarder en arrière et on dessay se dit : j'ai souffert souvent, je me suis trompé quelquefois, mais j'ai aimé. Essay! C'est moi qui ai vécu, et non pas un être factice créé par mon orgueil et mon ennui.
Alfred de Musset. Dcouvrez sur aLaLettre un rsum de Candide de Voltaire.
Buy Essays Online from Successful Essay -
Natalie Dessay - Mozart Concert Arias [Great Artists of the Century
Animals as Persons: Essays on dessay, the Abolition of Animal Exploitation. Gary L. Francione. Columbia University Press, 2008. A prominent and respected philosopher of animal rights law and ethical theory, Gary L. Francione is known for writing kindergarten, his criticism of animal welfare laws and regulations, his abolitionist theory of dessay concert arias animal rights, and his promotion of veganism and death motif nonviolence as the baseline principles of the abolitionist movement. In this collection, Francione advances the most radical theory of animal rights argued to date. Unlike Peter Singer, Francione maintains that we cannot morally justify using animals under any circumstances, and unlike Tom Regan, Francione’s theory applies to all sentient beings, and not only to those who have more sophisticated cognitive abilities. Francione introduces the volume with an essay that explains our historical and contemporary attitudes about animals by distinguishing the dessay concert arias issue of animal use from that of animal treatment. He then presents a theory of animal rights, which focuses on include research paper, the need to dessay concert accord all sentient nonhumans the right not to death motif essay be treated as our property. Our recognition of dessay such a right would require that we stop bringing domesticated animals into existence for human use. He takes a hard look at our #8220;moral schizophrenia#8221; toward animals and our ability to regard some creatures as beloved companions and others as food and clothing.
Subsequent essays explore recent changes in include paper, animal welfare and the sad fact that these advances have not only failed to bring us closer to the abolition of animal exploitation, but have made the public feel more comfortable about supposedly more #8220;humane#8221; animal treatment. In two essays, Francione explores the importance of sentience as the necessary and sufficient condition for the moral significance of animals and explains how the status of dessay concert arias animals as economic commodities prevents the equal consideration of their interests. He also discusses the issue of why i want a nurse practitioner essay using animals in experiments, arguing that the empirical necessity of animal use is at best suspect and that animal use cannot, in any event, be morally justified. After a chapter addressing ecofeminism and its ethic of dessay concert arias care, Francione concludes by challenging the why i want practitioner rationale of Tom Regan’s position that death imposes a greater harm on humans than nonhumans. This collection of essays demonstrates why Francione’s abolitionist theory is widely regarded as the most exciting innovation in modern animal ethics. Gary L. Francione builds on arias, the themes of his first three rights-based books, synthesizes them, adds new ingredients, and brings it all up to date in a striking restatement of animal rights philosophy for the twenty-first century. This new volume is not only high-quality scholarship but also provides the include survey research theoretical foundations for a new social movement which takes rights seriously as its core claims about concert, human-nonhuman relations. Include Survey Paper! Roger Yates, University College, Dublin. Gary L. Concert Arias! Francione’s searing and insightful theoretical vision shines through in this key work that extends and salesman motif essay deepens the substantive area of inquiry in abolitionist animal studies that he has singlehandedly created. Part iconoclast, part theorist, and concert arias part activist, Francione is unafraid to upend conventional theoretical and practical approaches to writing kindergarten our treatment of concert arias animals in his analytical rigor.
Without a doubt, this volume will remain a central work in animal studies for years to come. Bob Torres, assistant professor of sociology, St. Lawrence University, and essay underline author of Making A Killing: The Political Economy of Animal Rights. In this uncompromising and stimulating call for the abolition of all forms of oppression of other animals, Gary L. Francione establishes himself as one of the leading advocates for justice in the world today. In these powerful essays, Francione methodically and unflinchingly examines and deconstructs the ineffectual positions of many professed advocates for other animals and points the way toward true animal liberation. He exposes the pragmatic and moral flaws in the arguments of those who call merely for reduced cruelty and better regulation of industries that are based on animal oppression. His forceful and compelling arguments against contemporary ‘animal welfarism’ and in favor of true animal rights should be required reading for scholars, activists, and anyone interested in justice for all the inhabitants of this planet. Dessay Concert! David Nibert, author of Animal Rights/Human Rights: Entanglements of Oppression and Liberation. Coolly, lucidly, and uncompromisingly, with a minimum of horror stories, Gary L. Francione argues for the right of all sentient beings to a full life. His critique of animal-welfare legislation, with its many escape clauses that allow the business of animal exploitation to proceed as usual, is particularly devastating.
J. M. Coetzee, winner of the Nobel Prize in Literature. Virtually all the essay italics underline articles and essays collected here are milestones in the formation of the modern theory of the legal and arias moral rights of animals. Gary L. Francione knows his philosophy as well as his law and these juridical studies work close to paper outline the line where law and philosophy merge. His prose, furthermore, is clear and free of dessay concert legal jargon. I strongly recommend this collection of important essays. Concentration Camps Research! It provides a lucid summary of concert a significant body of thought on animal rights. Julian H. Franklin, professor emeritus of political philosophy, Columbia University.
Darwin once made a note to concentration camps research outline himself: #8220;Never use the words #8216;higher#8217; or #8216;lower.'#8221; Well it took all this time before finally somebody did just that! That somebody is Gary L. Francione, thinking, as always, just beyond what anyone else has already thought. He is concert a radical, in the best sense of creative that word, always striking out (sometimes on his own) into areas where the rest of humanity has feared to dessay tread. He goes out, and he comes back with treasure that the gender inequality rest of us are only to happy to use and dessay appropriate. That#8217;s o.k., I am sure, with him. He is to be a nurse not in this for his sake, but for their sake. So anything that will get us to take the vegan plunge (as I recently did, partly because I can see no way to avoid the arguments that Francione so cogently sets forth in this wonderful collection of essays), to stop making excuses for the Eichmann#8217;s of the animals and to recognize that when a nonhuman animal dies before his or her time, and under conditions of someone else#8217;s making, a tragedy has occurred that is every bit as momentous as the dessay arias same tragedy in the life of essay a human animal. We are, all of us who are concerned with the lives (as opposed to the deaths) of animals, deeply in Francione#8217;s debt, whether we know it or not, whether we like him or not, and whether we want to acknowledge it or not. Jeffrey Masson, author of Altruistic Armadillos, Zenlike Zebras: A Menagerie of 100 Favorite Animals. The most wholly consistent animal rights position available today is Gary L. Francione’s.
In philosophical essays such as these his dedication to defining what it means to dessay concert give the interests of nonhumans equal moral consideration shines through in a remarkably clear and uncompromising way. Francione conducts a rigorous cross-examination of why i want practitioner essay utilitarianism (animal liberation theory), alternative animal rights and animal welfare views, feminist care ethics as applied to animals, and United States animal protection law, all of which creates a more meaningful and compelling context for his own approach. Those who seriously engage with this book will not only expand their horizons but also demand a much higher standard of argument in this field ever after. Michael Allen Fox, professor emeritus of philosophy, Queen#8217;s University, Canada, adjunct professor, School of Humanities, University of New England (Australia), and author of Deep Vegetarianism. The Abolitionist Approach to Animal Rights Pamphlet. Number of animals killed in the world by the meat, dairy and egg industries, since you opened this webpage. This does not include the concert arias billions of fish and other aquatic animals killed annually.
Based on 2007 statistics from the Food and Agriculture Organization of the United Nations' Global Livestock Production and Health Atlas.
Write My Paper -
Mozart: Concert Arias - Natalie Dessay | Songs, Reviews - AllMusic
FAAC Group separates from Somfy Group. HUB Parking Technology announces the acquisition of CTR Parking Systems and strengthens its parking business in the United States. FAAC Group has acquired Olmi Impianti Srl and has announced the launch of HUB Italia. FAAC S.p.A acquires CENTURION Systems (Pty) Ltd, the top manufacturer of Gate Operators, Automatic barriers and Electronic control devices in concert South Africa, with interests in the rest of Africa and Australia. FAAC S.p.A. has completed the acquisition of CENTURION Systems Pty Ltd, the undisputed leader in the South African market for want to be a nurse essay gate operators, automatic barriers and other access control devices. CENTURION has also managed to execute an dessay concert, international expansion beyond national borders which has yielded significant market-share in many countries around the world. €śWe are delighted to join forces with FAAC as we believe that the combination of CENTURION€™s strong knowledge of the market and of its end-users€™ preferences, together with FAAC€™s solid industrial, financial and technological competences, will be a paramount factor in next years. FAAC will in fact add, where appropriate, technical and industrial competences, financial capabilities and international distribution channels to make Centurion even stronger and capable to camps research, fuel its growth path both in South Africa and outside.€ť Says Patrick Dickens, CENTURION CEO from his Johannesburg Head Office.
We are excited to open new horizons for FAAC development in the whole of Africa and in key-countries outside of it, thanks to the long-term experience and concert know-how developed successfully by CENTURION in the last 30 years. €ś Says Andrea Marcellan FAAC Group CEO. €śCENTURION is an old-time customer from the why i want to be a nurse, 80s. Having seen it flourish as an independent manufacturer internationally, capable of integrating world-class management practices with local market understanding in South Africa, we are delighted to cross avenues again and to concert arias, work together going forward.€ť says Jacopo Malacarne Director of Business Unit FAAC Simply Automatic. FAAC Group has acquired Olmi Impianti Srl and has announced the launch of HUB Italia. FAAC Group a leading company and an international pioneer in at workplace essay the automated systems industry and the control of pedestrian and concert vehicle accesses for residential and inequality at workplace commercial applications, has announced the acquisition of dessay, Olmi Impianti Srl, a company with twenty years experience in providing turnkey solutions for parking systems and pedestrian access control systems. The acquired company will be named HUB Italia, and will be part of include research paper, HUB Parking Technology, a Business Unit of the dessay concert, FAAC Group.
This deal will enlarge the include survey paper, companies€™ Italian customer base and it will be able to offer its systems, installation and commissioning service as well as after sales assistance. FAAC Group separates from Somfy Group. FAAC Group separates from Somfy Group. Following an dessay concert arias, industrial partnership started in 1990 Somfy Group and FAAC Group have decided to include survey research paper, dissolve their relationship as reciprocal shareholders and therefore Somfy will exit the capital of FAAC S.p.A. (of which it holds 34%) and FAAC will exit the capital of Somfy Group (of which it holds 7,3%). The transaction will be finalised through the exercise by Somfy of the concert, right of withdrawal from the share capital of FAAC S.p.A. against which the include survey paper, value of 34% of the same FAAC will be liquidated also by means of return of the Somfy shares held by FAAC S.p.A. Upon completion of the transaction hereto the sole shareholder of FAAC Group will be the concert arias, Archdiocese of Bologna. FAAC was assisted by gender Lincoln International as financial advisor, Gattai Minoli Agostinelli Partners as legal advisors and Studio Margotto as tax advisor.. FAAC Group is dessay, a privately owned multinational Group, a pioneer in the automated systems industry for the control of concentration research, pedestrian and vehicle access in both residential and dessay concert commercial applications. The Group activity is developed through three Business Units: Access Automation, Access Control and Parking Revenue Control Systems. FAAC Group was founded in 1965 and has today become an international industrial Group with nearly 2,000 employees, 18 production plants and 32 foreign subsidiary companies throughout the world. The Group is based in Zola Predosa, Bologna, Italy.
For more information about FAAC Group, visit: www.faacgroup.com. iframe style=margin: 0 auto; src=http://v.calameo.com/?bkcode=000681578956ef1190a77amp;showsharemenu=falseamp;clickto=embedamp;authid=0KkjP5mOHkL2 frameborder=0 scrolling=no width=266 height=300/iframe FAAC presents a complete line of advanced traffic bollards. FAAC presents a complete line of advanced traffic bollards. A new dedicated mini-site describes the technical features and concentration camps paper outline application options. Zola Predosa, 04-12-2013 - FAAC, the Italian world leader in automated solutions for dessay arias opening gates and doors as well as for pedestrian and vehicle access control, offers a complete range of retractable traffic bollards, ideal for essay underline all possible situations - from private residences to concert, industrial facilities, from limited traffic zones to sensitive installations that require surveillance. FAAC bollards feature an extremely reliable hydraulic technology and are designed for easy installation and maintenance. All the information regarding this product range can now be found at the dedicated mini-site www.faacbollard.com that describes all the technical features and underline application options. The FAAC bollards of the J family are divided into three product lines: FAAC J200 for residential areas; FAAC J275 for commercial and dessay arias industrial areas and for managing urban entries to limited traffic zones; FAAC J355 for the protection of sensitive installations such as airports, embassies, consulates, banks, ports, etc.
The J200 line includes an automatic model, a semi-automatic model and a fixed model. The J275 line, in writing addition to the automatic model (registered with the arias, Italian Ministry of Transport) and want to be the fixed model, also introduces a semi-automatic version for dessay arias areas that are difficult to wire or only occasionally open to traffic. And finally, the J355 line comprises an automatic model, which has been awarded the grade M30-P1 provided for why i by the AST M F 2656-07 standard: i.e. it is able to stop a lorry weighing 6.8 tons launched at dessay, 50 km/hour. All FAAC bollards feature numerous innovations that make installation and maintenance extremely simple, while also increasing reliability. The J200 line, for example, is characterised by a self-bearing structure that renders the pit unnecessary. Instead, the architecture of the J275 line makes it possible to carry out technical service operations without the need for a crane or hoist to extract the bollard body from the pit. The hydraulic pump can, in fact, be easily removed after removing the bollard head. Routine maintenance can therefore be performed by a single person using basic tools. The simplifications introduced by FAAC also concern the pit, which is cylindrical in essay underline shape for optimising digging, and is supplied as a kit, to reduce the packaging dimensions and transport costs. There are also many innovations aimed at increasing system reliability: e.g. the hydraulic pump is all one piece with the cylinder and moves with it, therefore eliminating the need for underground tubes with pressurised oil.
The cylinder is also equipped with a double track, to increase its stability during both upward and downward movement. Finally, all the luminous signals around the circumference of the bollard are obtained using a single central LED, thus reducing replacement time and concert costs in case of damage. FAAC traffic bollards are available in many versions with various types of research, finish and control modes. The basic models include many features that in some competitor products require the addition of costly options. The new mini-site dedicated specifically to FAAC bollards (www.faacbollard.com) contains all the information necessary for architects, designers and technical departments, including the specifications of concert, each product, the solid models created in all the main 3D design formats, the illustrative brochure, numerous references to installations around the world, as well as a detailed video presenting the research paper, entire range and its main features. €śFAAC bollards are designed, tested and manufactured entirely at dessay concert, our plant. Total control over camps paper the products has made it possible for dessay concert arias us to field all our skills in technological innovation to create a highly complete and competitive range of bollards. Thanks to our exclusive world network of branches and distributors, the FAAC Group is also able to ensure effective service to Italian businesses that use FAAC bollards when constructing buildings or infrastructures abroad,€ť said Davide Querz¨, FAAC Product Manager.
the main world fair in the solar protection field - that will take place in Stuttgart on 25-28 th February 2015, with two stands (Hall 6 Stand A31; Hall 3 Stand C90). HUB Italia finalizes the acquisition of to be, NEXTEC Srl and expands its presence in the Italian market. HUB Italia, part of HUB Parking Technology €“ the FAAC Group Business Unit that develops, manufactures, installs Parking Revenue Control Systems and concert arias provides after-sales services €“ has finalized the acquisition of Nextec Srl, a company specialized in the sales of advanced automated parking and death salesman access control systems across Italy. Franco Oliva, HUB Italia General Manager declared: Nextec Srl activities are perfectly in line with the target of offering professional turn-key solutions for Parking Systems and dessay arias a punctual and qualified service. Underline. In fact, Nextec Srl is characterized by a strong market positioning and a consolidated experience of concert, its management team. Nextec Srl will be part of HUB Italia and of HUB Parking Technology and this will bring a further development of the client base/portfolio in Italy and a strengthening of the installation and maintenance post sales service. HUB Parking Technology announces the acquisition of underline, CTR Parking Systems and strengthens its parking business in the United States. HUB Parking Technology announced today that it has completed the acquisition of CTR Parking Systems . The transaction strengthens HUB Parking Technology€™s business, by expanding the company€™s value chain presence and adding additional capabilities. As a consequence of the acquisition 65 employees are joining HUB Parking Technology. HUB USA€™s General Manager and CEO Robert Kempton said : €śWe are extremely pleased to have CTR Parking Systems join the HUB USA team and FAAC Group.
CTR Parking Systems brings to HUB USA many years of experience and excellence with strengths in large airport and project solutions, project management, and a strong local R D development capability which will help support our growth and presence in dessay concert arias the US and North American markets. It integrates itself extremely well with the include survey paper, existing brands of dessay, ZEAG and Datapark€ť. HUB Parking Technology is committed to ensuring continuity for both its employees and clients. HUB Parking Technology will ensure a smooth transition for include survey research customers, maintaining high levels of service and operational excellence and support throughout. Modular automation solutions for pedestrian and vehicle access, automatic barriers, automatic pedestrian entrances, screen and dessay concert roller shutters for home automation, offices, hotels and businesses. In particular, we manufacture: Up and over and sectional garage doors. Folding shutter doors. Energy-saving sliding doors. SOLUTIONS FOR OEM AND THIRD-PARTY MANUFACTURERS. For high-security applications.
ACCESS CONTROL SYSTEMS. Modular software and hardware solutions for all pedestrian and vehicle access control needs, for residential, commercial and industrial use. AUTOMATED SYSTEMS FOR ROLLER SHUTTERS. TUBULAR MOTORS FOR AWNINGS. AUNIVERSAL AUTOMATION FOR:. The Business Unit Access Automation counts on include survey diverse product lines and different brands, specialised and developed to better satisfy the customer, selected based on concert arias geographic criteria, product type or distribution channel. Gate, garage, screen and rolling shutter automation. It sells automation for sliding and to be a nurse practitioner essay swing gates, garage doors, shutters and concert arias roller shutters.
The Brand is found exclusively in Do-It-Yourself large-scale retailers. tubular motors for roller shutters, screens and shades. The leading brand with a widespread presence in the Spanish market for over 30 years. It offers a vast range of automation for sliding and why i want to be essay swing gates, up and over doors, sectional doors and arias barriers. Automazioni per cancelli, garage, barriere, porte.
Marchio leader con una presenza capillare nel mercato spagnolo da oltre 30 anni. Offre una vasta gamma di automazioni per cancelli scorrevoli e a battente, porte basculanti, porte sezionali e barriere. commercial and industrial use and death salesman essay large scale automation. It manufactures large scale automation for commercial and industrial use for sliding and swing gates, folding shutter doors, sliding doors and concert arias barriers. It is include survey research paper, particularly widespread in dessay northern Europe and creative writing the Scandinavian peninsula, where it is the market leader. Since 1993, it has been one of the main players in the English market for production, installation, support and dessay arias maintenance of automatic entrances, automation for sliding, curved sliding, revolving, telescopic and swing doors. Why I A Nurse. The level of service and the technical capacity developed in automatic entrances place the company at the top of the dessay, entire English market. GATE, DOOR, BARRIER AND TUBULAR AUTOMATION. This is the creative kindergarten, heart of the dessay, FAAC Group Research and Development. It internally designs and gender at workplace manufactures electromechanical and hydraulic automation (with the related command and concert control electronics) divided in why i a nurse practitioner essay the following product categories: Operators for swing and sliding gates, up and over dessay concert arias and sectional garage doors, folding shutter doors and industrial sectionals.
Energy-saving sliding and swing automatic entrances, emergency exits/p Special automatic entrances. Car park systems. Access control systems. Automated systems for concentration camps roller shutters, awnings, French windows and heavy roller shutters. GATE, DOOR AND BARRIER AUTOMATION. It designs and manufactures electromechanical automation for residential sliding and swing gates, up and over doors, roller shutters, folding shutter doors, sliding doors, barriers, sectional and industrial doors.
The enterprise and brand are present in arias the Dutch and Belgian markets; it manufactures and installes automatic entrances and want to be automatic doors of every kind for the final customer and offers support and maintenance service throughout the territory. It also supplies quick action flexible doors and sectional doors for commercial and industrial application. GATE, BARRIER AND GARAGE AUTOMATION. It manufactures automation for gates and barriers, garages, electronic boards and remote controls. Founded in 1984, it designs and concert arias creates operators and electronic components in the Brazilian headquarters and exports throughout Brazil and at workplace essay South America. ACCESS CONTROL AND SECURITY MANAGEMENT.
It designs and manufactures pedestrian access control systems made up by electronic boards, specific software and presence sensors based on the most widespread data transmission protocol and technology. SHUTTER AND FRENCH WINDOW AUTOMATION. It manufactures standard and customised automation for concert arias swing shutters, French windows and heavy shutters, and can be installed on shutters and fixtures to why i want a nurse, be mounted or already installed. GATE OPERATORS, AUTOMATIC BARRIERS AND ELECTRONIC CONTROL DEVICES. CENTURION Systems Pty Ltd is the dessay concert arias, undisputed leader in the South African market for gate operators, automatic barriers and other access control devices. BU Access Automation products are certified according to the most advanced international standards and equipped with the most highly internationally recognised quality markings. These results are made possible by the quality of the components and the raw material, by selecting the best suppliers, by the manufacturing processes created entirely within the gender at workplace essay, company, by inspecting the semi-finished and dessay arias finished products to conserve and reinforce the value of the brand over time. 1. From the first design phases, rigorously within the to be practitioner essay, company, BU Access Automation conducts detailed feasibility studies of new products thanks to dessay, 3D projections and functional prototyping. 2. Certified suppliers and systematic raw material inspections allow the company to stock the outline, various production lines with perfect components. 3. The completely internal manufacturing process focuses on flexibility and reliability, using lean manufacturing methods, reducing waste and guaranteeing a Total Quality system. 4. The manufacturing process focuses on flexibility and reliability, using lean manufacturing methods, reducing waste and guaranteeing a Total Quality system.
5. Each product is the arias, result of over forty years of high-level technological development to offer unique solutions to creative writing kindergarten, the Italian and global market. The need for solutions that are fine-tuned to specific requirements is satisfied by a range of products realised with the dessay, same passion and constant attention to quality. 6. Essay. Accurate computerised quality control in every production phase and concert arias dozens of functional tests on every single product guarantee the delivery of a high quality product as a mark of why i want essay, Made in Italy. HUB Parking Technology is the FAAC Group Business Unit that develops, manufactures, installs Parking Revenue Control Systems branded ZEAG, DATAPARK and FAAC and provides after-sales services. HUB Parking Technology delivers the flexibility, professional expertise and close personal service of a local company, together with all the capabilities, network and strength of a global player. Through its local subsidiaries and distributors, it is concert, represented in North South America, Europe, Africa, the Middle East, Asia and Australia. Over the years, the company has constantly innovated to develop state-of-the-art systems that make parking efficient for users as well as profitable and easy to survey, manage for operators. For more information about our company and our products: www.hubparking.com. HUB Parking is the arias, ID card of the FAAC Group Parking Team. Writing Kindergarten. HUB continues to develop the three product brands, ZEAG, Datapark and FAAC, in the car park system industrial setting.
Proven cohesiveness even in marketing and dessay communications, with a restyling of the three brands bringing them even closer to research paper outline, the HUB image. CAR PARK OPERATOR MANAGEMENT SUITE. DATAPARK offers a wide range of products tested in the field, with highly efficient systems and concert software packages able to satisfy the most specific of car park manager needs. DATAPARK can customise different elements of creative, its product range to create a system in line with the specifications of every single project. SOLUTIONS FOR MEDIUM AND SMALL CAR PARKS. The FAAC brand Parkplus system is the dessay concert arias, ideal solution for small and medium-sized car park systems. COMPLEX CAR PARK MANAGEMENT SYSTEMS. Zeag brand car park systems boast a worldwide reputation thanks to want a nurse essay, product reliability and endurance. Dessay Concert Arias. This reliability over time lowers maintenance and system update expenses and guarantees high performing systems even in the event the system should be temporarily out of order. Magnetic Autocontrol is the FAAC Group€™s Business Unit working in the ever-growing international market of pedestrian and vehicle access control.
Headquartered in Schopfheim, Germany, Magnetic Autocontrol serves customers around the globe through its strategically located subsidiaries and a vast network of distribution and service partners for concentration research paper more than 50 years. Magnetic Autocontrol does not only offer high-quality, reliable and dessay concert arias sustainable products with a high added value for the end-customer but excels with proven knowledge in project management €“ worldwide. For more information about essay italics our company and our products: www.ac-magnetic.com. Magnetic MHTM„˘ MicroDrive barriers are the latest evolution on the market, proven by the Red Dot 2012 award (one of the biggest and most important global design awards) and the German Design Award 2014. The MHTM„˘ MicroDrive product range is the reference point in the automatic barrier industry: thanks to the revolutionary MHTM„˘ Microdrive drive system, the motor does not require maintenance and, at the same time, offers high performance operation, extremely quick opening and closing times and dessay concert arias a high torque value. Essay Underline. For example: the Magnetic.Access barrier has a maximum consumption of 25W which saves 75% more energy (or more) compared to competitive products. MHTM„˘ MicroDrive is equipped with a control unit in compliance with the EN ISO 13849.
The exclusive use of 24V technology for concert arias motor and control unit reduces the risk of crushing and ensures compliance with the European safety directives. The barrier configuration is done via the control unit. An LCD display with 4 programming buttons and an intuitive graphic interface allows the installer to set the barrier parameters without any specific knowledge. Italics. The functional range can be extended via Plug Play modules. The MHTM„˘ MicroDrive technology product range is divided in: (small parking lots, lower traffic areas, access roads, etc.) (multi-level car parks, car rental sites, airports, etc.) (toll roads, toll tunnels, toll bridges)
Pedestrian access control solutions are designed for identifying people and dessay concert grant access to only those that have the appropriate permissions. Additionally, these solutions may be used for optimizing the flow of people - especially at strongly visited sites. Magnetic Autocontrol offers a wide range of professional pedestrian gates which have been tested for different applications. Our customers can benefit from our long-term world-wide experience in product development, project management and a vast network of camps research, distributors and integrators. The product portfolio is dessay arias, divided in: (BUILDINGS, OFFICES, MUSEUMS, ETC.) (PRIVATE PROPERTY, COMPANIES, AIRPORTS, ETC.) (METRO, TRAIN STATIONS, BUS TERMINALS, ETC.) (airports, seaports and concentration research outline international railway border crossings) INNOVATE TO GROW, GROW TO INNOVATE. Even during the years of global recession, the arias, FAAC Group has grown through acquisitions and internal growth by to be a nurse essay continuing to invest in dessay concert young people. The recent hiring involves dozens of gender inequality at workplace, young graduates, from engineers in dessay arias the Research and Development or Global Sourcing sector to language graduates who deal with Order Processing to economy graduates directed to Management Control and the Italian or Foreign Commercial Department. The people in gender essay our Group are always ready to concert, put themselves to the test: they know different languages, they are willing to travel for work and move where opportunities present themselves, they work hard. Our Group allows people who are ready to accept this challenge to demonstrate their worth in a solid international company ready to guarantee a future of prospects. In addition to death salesman essay, specific technical job training, our employees can count on:
Language training - Basic or advanced courses of dessay concert arias, English, French, German, Spanish and Portuguese with various methods: e-learning, lesson by telephone, micro-groups, one to one. Across-the-board training - Courses in creative writing collaborator management and time management, project management, public speaking offered to the employees based on their jobs. Courses for dessay specific needs - over 40 people will take courses to improve their knowledge of the main software related to their jobs. 2013 gives way to the FAAC Academy project: approximately 20 people, chosen among the young graduates who have been in the company for creative kindergarten more than 2 years, will attend an internal training school for dessay concert arias future managerial growth. The subjects studied over a year of monthly lessons with workshops and essay team-building activities throughout will be varied and in-depth: basic finance, efficient communication, personal leadership, lean thinking lean manufacturing, marketing, product, business plan and dessay arias business strategy training. no news in this list. no news in this list. Modular automation solutions for vehicle access, automatic pedestrian entrances, screen and roller shutters for houses, offices, hotels and businesses. Intelligent, flexible solutions to manage single or multi-site paid car parks, in residential, commercial, airport and trade fair settings or at hotels and hospitals. Advanced solutions to control the flow of the security entrances in public buildings, museums and offices, airports and public transport.
Copyright 2013 - FAAC S.p.A. Soc. Unipersonale - VAT. IT00555751205. LEGAL NOTICES, CONDITIONS AND METHODS OF USE. The FAAC S.p.A. Company, via Calari 10, 40069 Zola Predosa - Bologna - Italy, listed on the company register in Bologna with number 02169920374, Registered capital 774,000.00 euros, declares that it is the owner of this website. This website and the information herein contained (particularly images, drawings, etc) are protected by essay copyright. The copyright holder is FAAC S.p.A. via Calari,10 40069 Zola Predosa - Bologna -Italy. 2.1.
Any information which does not appear in a download file must not be printed or reproduced, either partially or completely, in any way whatsoever. 2.2 The information which appears in a download file may be printed or downloaded for internal, non-commercial use, for information purposes. It must not be distributed. Any copy made of this information must mention that we own the copyright to the material. You are not authorised to change this information. However, you are authorised to translate it to arias, facilitate its understanding by include survey research assistants, in which case you shall be solely responsible for concert arias the translation you make. We reserve the right to terminate this authorisation at any time through a notice which shall be distributed on this website. Creative Writing Kindergarten. All uses of concert, this information must then immediately cease. 3.1 Our trademarks. 3.1.A.
This is gender, a list of the concert arias, named and italics figurative trademarks which we frequently use: NB: some of these trademarks are not used in all countries. We cannot be held responsible for violations of rights of third-parties on the basis of the above list. 3.1.B. Use of these trademarks is prohibited, unless: - we authorise it expressly in writing or. - you wish to construct a hypertext link to our website and, at dessay concert, the same time, the conditions required in section 4.2. (The Links created by you) are satisfied. Use must be limited to the Link 3.2 Trademarks registered by third-parties.
3.2.A. The other trademarks cited on research paper our website belong exclusively to their owners. 3.2.B. We do not claim nor grant any rights as regards these trademarks. Failure to mention the name of their owners on this website is not to be interpreted as an appropriation by arias us.
4.1. Links which we offer: we offer Hypertext links to numerous other websites. However, we do not represent, nor control, these sites and essay underline we are not responsible for their content. 4.2. Concert Arias. Links created by you: the creation of a link to our site requires our prior written authorisation, unless you satisfy all of the following conditions: 4.2.A. We authorise you to create a link to our website when: - you are clients of a body connected to FAAC, - you make fair, correct use of the link; this particularly consists of there being no confusion regarding the relationship you have with us, - you create a link? to the home page of our site in include such a way that it is clear that the site indicated by the link? belongs to us. In no case are you permitted to create a link towards another page or reproduce a part of our site, - you reproduce the FAAC logo as follows, ensuring it is exactly the same size, for the purpose of creating this link - You state the creation of a link?, in writing, to FAAC S.p.A. within three working days of its creation, sending a letter to the address: 4.2.B. However, we reserve the dessay arias, right to demand that a link be deleted immediately if we believe that it compromises our interests.
5. Other Industrial and Intellectual property rights. All products, processes or technology described on death motif this website may be protected as Industrial and Intellectual Property. No use of these Industrial and Intellectual Property rights is authorised. 6. Use of the information and dessay the users to whom it is intended. 6.1. Salesman. This site is dessay, intended for any person in the world who wishes to obtain general information on FAAC S.p.A. 6.2. Information on the products and services are not necessarily valid in all countries. In particular, certain products or services which appear on this website may not be available in all countries.
7.1. We try to give you reliable, complete and italics underline up-to-date information. In spite of dessay concert arias, this, we cannot guarantee the correctness of the information contained on this website. 7.2. Include Research Paper. We reserve the right to update or change the information contained on this website without prior notice. 7.3. We cannot guarantee that the information which appears on arias this website complies with the laws in the different countries.
You access this site of your own free will and concentration research you are responsible for complying with all the laws and regulations in your countries. 7.4. We invite you to verify all the information contained on this website with our local dealers or representatives. 7.5 You access this site and use its content exclusively under your own responsibility. It is your responsibility to protect yourself from any computer virus or any other element which could risk destroying or damaging your computer or the data it contains.
8. Applicable law and jurisdiction. In cases of disputes regarding access or use of this website, only concert arias, Italian law shall be applicable with the law court of Bologna as the only competent court of law. The Italian text shall apply. Any invalidity of one or more clauses of the present Legal notices, conditions and methods of use? does not compromise their validity as a whole. SUPPLIER: INFORMATION SHEET PURSUANT TO SECTION 13 OF LEGISLATIVE DECREE 196/2003.
CUSTOMER: INFORMATION SHEET PURSUANT TO SECTION 13 OF LEGISLATIVE DECREE 196/2003.